Friday March 2, 2018

Using directional keys to navigate, I sit down at a drum set and unleash sprays of knocks and clicks, as if to initiate a ceremony. Strange voices enter my headspace, lecturing incoherently about Peter Pan, Pinocchio, archetypes, and DMT. Mental reprogramming sends me down stairwells, through lovely gardens, to an ancient sea below. Instructions appear in bubblegum font. Consciousness dwells sequentially over details spanning several levels of being. Object permanence bids farewell, leaves us momentarily to contemplate selfhood as extrapolation or device. The average lifespan of a ladybug is 2 to 3 years, announces a voice outside ours. Wilderness spaces are spaces of diversity, pluralities of plural worlds. Out of the folds of these worlds emerge previously obscured items: books like Ludic Dreaming: How to Listen Away from Contemporary Technoculture by a group called The Occulture, Steve Goodman’s Sonic Warfare, and François J. Bonnet’s The Order of Sounds: A Sonorous Archipelago. Let us engage in creative rather than merely receptive modes of listening. Like Cordelia in King Lear, let us exclaim, “All blest secrets, / All you unpublished virtues of the earth, / Spring with my tears!”

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