Compose mildly, humbly, yells a voice from ahead on the line. We of the chain gang. Every breath a guess, a near fumble. Conversations, dialogues, words assembled from channel-surfing, dial-turning snippets of televisions and talking radios. It’s as if the larynx, a highly sensitive vibrational surface, were suddenly set aquiver, collaboratively operated by self and other, floating among oceans of sound. Songs for breakfast, songs for lunch. Rapid montage sequences flit past. Like horseshoe crabs, we possess receptors useful for sensing changes in moonlight. I imagine a fictional universe, perhaps I’m programmed to do so, I’m not going to delve into agency, will, all that David Copperfield kind of crap. Rice Krispies crackle loudly as the childhood self leans his ear to a bowl of cereal. The inner voice speeds up, acquires greater proficiency. “My environment,” I tell myself, “has been carefully designed to draw me to this state of mind.”