Crazy, really, the worries we invent to forestall enjoyment. But when it happens, when we overcome our fears and rise from our depression, messages come through—alternate meaning-systems, dreams—and the resulting metamorphosis of the world-picture can occur quite suddenly, as it does to some of the protagonists in Philip K. Dick’s The Man in the High Castle, readers who become conscious of their positioning as Subjects as they read The Grasshopper Lies Heavy, the novel-within-the-novel that allows them to peer out from their own history to learn of another. It is as if one’s attention were suddenly able to lift for a moment from the totalitarian thoughtscreen, the system of Being then and there updating and evolving, as it were, in the blink of an eye. Otherwise I just sit around reading and wielding digital code all day, bemoaning the lack of plants in my office.