When writing poetry, one ought to put one’s breath into it. Count the length of one’s line, listening to thought’s syllables. Practice what Charles Olson calls “composition by FIELD.” When we set aside old fears, we unlock our hidden capacity to resonate in sympathy with others. Keep going, keep learning, keep growing. Open windows, let in light, sit outdoors. When I do so, I see trees, the modest, low-slung buildings of an invisible campus.