“We’re transforming Old Street,” reads the sign affixed to the construction site, next to which stand a team of bobbies cuffing a bewildered homeless woman, her possessions in plastic bags at her side. I observe and take note from the upper level of a double-decker bus headed to the Viktor Wynd Museum of Curiosities, Fine Art & Natural History. My thoughts return to the woman throughout the afternoon, part of her lingering in my awareness as I view paintings and illustrations by Mervyn Peake and Austin Osman Spare. Apart from Éliphas Lévi and a small Fabian contingent that included H.G. Wells and George Bernard Shaw, the figures I’ve been reading about at the British Library seem to have left these stones unturned.