Sunday January 31, 2021

Huxley’s “reducing valve” metaphor renders the self or the Ego porous through a kind of sense-awakening, like the opening of a third eye. Growth of a new organ, as the Marxist literary theorist Fredric Jameson said, “to expand our sensorium and our body to some new, as yet unimaginable, perhaps ultimately impossible dimensions” (Postmodernism, p. 80). Jameson’s visit to the Bonaventure Hotel reads like a trip report — an account of an anabasis, with its ascent up the Portman building’s remarkable elevators. These elevators grant their riders the ability to cross realms, as Jameson does. After traveling up from the building’s interior atrium, one is launched out, in a glass-windowed capsule, up the building’s exterior shell. The ride allegorizes space flight. Riders shoot upward and land safely upon return into a dizzying postmodern hyperspace connected only by way of ascending escalators to the streets of Los Angeles. The pools at the base of the elevators simulate NASA’s trademark “splash landing.”

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