Monday January 28, 2019

The Ray Smith character in Kerouac’s The Dharma Bums uses his Beat Zen Buddhism as a cover, an intellectual veil behind which to hide a misogynistic fear of women and of post-WWII white heteronormative domesticity. What is the source of this fear? He seems torn throughout the novel between desire for solitude and desire for something like family or companionship or community. The novel’s great utopian figure for this desired community is the “floating zendo,” a network of mountaintop monasteries strung across the Americas to sustain the wandering bhikkus of the coming “rucksack revolution.”