Monday January 28, 2019

The Ray Smith character in Kerouac’s The Dharma Bums uses his Beat Zen Buddhism as a cover, an intellectual veil behind which to hide a misogynistic fear of women and of post-WWII white heteronormative domesticity. What is the source of this fear? He seems torn throughout the novel between desire for solitude and desire for something like family or companionship or community. The novel’s great utopian figure for this desired community is the “floating zendo,” a network of mountaintop monasteries strung across the Americas to sustain the wandering bhikkus of the coming “rucksack revolution.”

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s