I deem it wise to sit outdoors when possible. Pull out a lawn chair, listen to London-based Afrobeat 8-piece KOKOROKO, preferably later in the day, after lazing about dipping in and out of several texts midafternoon, testing the waters of each as if they were pools or oceans.
Perhaps I should jump right in. Practice Svadhyaya. But I prefer to pause now and then, take leave, retire into the alternative fictive domain of a backyard garden where shadows interact with light across bursts of Gaian majesty. Don’t ask me how it happens; I don’t know. The story of the Secret Garden, the story of the expulsion from an ancient leafy bower: these are mythic accounts, folk memories of dispossession, primitive accumulation, forced separation from the land.