Wherein the dreaming mind reflects on its use of forms. What do we remember (or “encounter and take back with us”) when we turn inward? What’s there? Whose home? Who’s home? I see a version of myself — backpacking, walking beside child companion, hair worn long with braids, voice echoing through valley. Shall we turn to the dialogue form? Say after me: listen, sing what comes into one’s heart, let carolers carol. In my classroom, I do not merely impart information, I suggest overtones and analogies. This is as it should be. My teaching is, as Irwin Edman said of the work of Alexandre Koyré, “a concentration of much thought and much scholarship into an instrument of analysis and contagious communication” (ix). Or so it seems as I reflect mid-afternoon. By evening, my mind is elsewhere, loosening in partnership with John Abercrombie, Dave Holland, and Jack DeJohnette’s “Back – Woods Song.”