I prepare a series of video mini-lectures on Diane Di Prima’s Revolutionary Letters, Julius Lester’s telling of “Stagolee,” and Ishmael Reed’s Mumbo Jumbo. Along the way I glimpse the famous white patron of the Harlem Renaissance, Carl Van Vechen, as depicted by the Jazz Age artist Florine Stettheimer in her 1920 painting Asbury Park South.
Van Vechen remains a controversial figure, in part due to his 1926 novel, the title of which I don’t wish to repeat (though it appears that Langston Hughes was one of the book’s defenders). Countee Cullen and W.E.B. Du Bois regarded it as an “affront to the hospitality of black folks.” Ralph Ellison condemned Van Vechen — as did Reed, given that he modeled Mumbo Jumbo‘s villain Hinckle Von Vampton after him.