The baby and I read a trippy “opposites primer” version of Sense & Sensibility beside the window in the room above the garage. Afterwards I join a conversation on Gene Youngblood. Listen in, that is — and read along. Erik Davis leads the way through “Part Three: Toward Cosmic Consciousness” from Youngblood’s classic “post-McLuhan philosophical probe,” Expanded Cinema. Youngblood begins Part Three with a reference to Louis Pauwels and Jacques Bergier’s French mindbender The Morning of the Magicians. Mind of the observer transformed by science, he says, “We move now in sidereal time” (135). Meaning what, exactly? Time measured according to the stars rather than the sun? Youngblood replies with a quote from John Cage: “A measurement measures measuring means.” Time to venture into invisible worlds — the worlds of the electronic nervous system. Consciousness, omni-operative, pervades every atom, every molecule, right down to the quanta. Youngblood strikes me as a bit of an accelerationist. Worlds evolve, he suggests, rendering other worlds obsolete. Authors seed and cede ground to star children, human/plant/machine hybrids moved by a marriage of reason and intuition. In place of obsolescence I prefer cosmologies that support shared ongoing being.
I wish there was time to fit radical media theorist Gene Youngblood’s book Expanded Cinema into my course on Hippie Modernism. Youngblood’s work shares in the cosmic consciousness whipped up by the two big events of the Summer of ’69, Woodstock and the moon launch. For Abbie Hoffman, remember, Woodstock served as a mind-blowing demonstration of “Functional anarchy, primitive tribalism, gathering of the tribes.” Youngblood’s book examined the role participatory media events and media revolution might play in this project. The main prerequisites to demonstrate the human capacity for psychedelic beloved community were all present at Woodstock: willingness to live side by side in harmony, feeding and caring for one another, with no expectation of profit. Another version of the utopian hippie modernist Woodstock Nation of the future can be glimpsed in Ant Farm’s Cowboy Nomad manifesto from 1969. One can imagine dozens of Woodstocks scaling up into Ant Farm’s Truckstop Network, tribes traveling in caravans of camper vans and VW buses.