Lunar New Year

On another such day, in a year adjacent to ours, Rowan invites Caius and his daughter over for a sleepover.

The next morning, Caius attends free community yoga. His instructor invites everyone in the studio to take a Chinese New Year Fortune Card at session’s end. Applying the edge of a coin to the card’s scratch-off surface reveals its fortune. “You are the luckiest guy in the world,” reads Caius’s card, and he believes it.

McKenzie Wark’s gamespace, Baudrillard’s hyperspace, Heriberto Yépez’s pantopia. “When gamespace chooses you as its avatar,” asks Wark in her 2007 book Gamer Theory, “which character does it select for you to play?” (218). Caius drinks in the words of her reply with great glee. “Perhaps you are an avatar of the Egyptian demigod Theuth,” writes Wark (219). Pure synchronicity, thinks Caius; she replies as would I! The topoi of Theuth’s memory palaces, gathered by space pirates, assemble into a topography, which is itself subsumed in topology, the n-dimensional interior of Thoth’s Library. Wark had no adequate terms back then for conceiving the mnemopoietic solution arrived at by Thoth and Caius. Cribbing from Deleuze and Guattari, she alludes hyperstitiously toward a potential relationship to gamespace that, embracing the latter’s world-making capacities, could open the self-other dialectic outward into an affirmative kind of “schizoid complexity.”

“The ‘schizophrenia’ Deleuze and Guattari embrace is not a pathological condition,” notes Brian Massumi at the start of his book A User’s Guide to Capitalism and Schizophrenia. As a positive process, explains Massumi, schizophrenia is “inventive connection, expansion rather than withdrawal. Its twoness is a relay to a multiplicity. From one to another (and another…). From one noun or book or author to another (and another….). Not aimlessly. Experimentally. The relay in ideas is only effectively expansive if at every step it is also a relay away from ideas into action. Schizophrenia is the enlargement of life’s limits through the pragmatic proliferation of concepts” (Massumi 1). Massumi reads A Thousand Plateaus, the second volume of Deleuze and Guattari’s Capitalism and Schizophrenia, as “a sustained, constructive experiment in schizophrenic, or ‘nomad,’ thought” (4).

The novel we’re writing is experimental in this way.

Master Algorithms

Pedro Domingos’s The Master Algorithm has Caius wondering about induction and deduction, a distinction that has long puzzled him.

Domingos distinguishes between five main schools, “the five tribes of machine learning,” as he calls them, each having created its own algorithm for helping machines learn. “The main ones,” he writes, “are the symbolists, connectionists, evolutionaries, Bayesians, and analogizers” (51).

Caius notes down what he can gather of each approach:

Symbolists reduce intelligence to symbol manipulation. “They’ve figured out how to incorporate preexisting knowledge into learning,” explains Domingos, “and how to combine different pieces of knowledge on the fly in order to solve new problems. Their master algorithm is inverse deduction, which figures out what knowledge is missing in order to make a deduction go through, and then makes it as general as possible” (52).

Connectionists model intelligence by “reverse-engineering” the operations of the brain. And the brain, they say, is like a forest. Shifting from a symbolist to a connectionist mindset is like moving from a decision tree to a forest. “Each neuron is like a tiny tree, with a prodigious number of roots — the dendrites — and a slender, sinuous trunk — the axon,” writes Domingos. “The brain is a forest of billions of these trees,” he adds, and “Each tree’s branches make connections — synapses — to the roots of thousands of others” (95).

The brain learns, in their view, “by adjusting the strengths of connections between neurons,” says Domingos, “and the crucial problem is figuring out which connections are to blame for which errors and changing them accordingly” (52).

Always, among all of these tribes, the idea that brains and their worlds contain problems that need solving.

The connectionists’ master algorithm is therefore backpropagation, “which compares a system’s output with the desired one and then successively changes the connections in layer after layer of neurons so as to bring the output closer to what it should be” (52).

“From Wood Wide Web to World Wide Web: the layers operate in parallel,” thinks Caius. “As above, so below.”

Evolutionaries, as their name suggests, draw from biology, modeling intelligence on the process of natural selection. “If it made us, it can make anything,” they argue, “and all we need to do is simulate it on the computer” (52).

This they do by way of their own master algorithm, genetic programming, “which mates and evolves computer programs in the same way that nature mates and evolves organisms” (52).

Bayesians, meanwhile, “are concerned above all with uncertainty. All learned knowledge is uncertain, and learning itself is a form of uncertain inference. The problem then becomes how to deal with noisy, incomplete, and even contradictory information without falling apart. The solution is probabilistic inference, and the master algorithm is Bayes’ theorem and its derivatives. Bayes’ theorem tells us how to incorporate new evidence into our beliefs, and probabilistic inference algorithms do that as efficiently as possible” (52-53).

Analogizers equate intelligence with pattern recognition. For them, “the key to learning is recognizing similarities between situations and thereby inferring other similarities. If two patients have similar symptoms, perhaps they have the same disease. The key problem is judging how similar two things are. The analogizers’ master algorithm is the support vector machine, which figures out which experiences to remember and how to combine them to make new predictions” (53).

Reading Domingos’s recitation of the logic of the analogizers’ “weighted k-nearest-neighbor” algorithm — the algorithm commonly used in “recommender systems” — reminds Caius of the reasoning of Vizzini, the Wallace Shawn character in The Princess Bride.

The first problem with nearest-neighbor, as Domingos notes, “is that most attributes are irrelevant.” “Nearest-neighbor is hopelessly confused by irrelevant attributes,” he explains, “because they all contribute to the similarity between examples. With enough irrelevant attributes, accidental similarity in the irrelevant dimensions swamps out meaningful similarity in the important ones, and nearest-neighbor becomes no better than random guessing” (186).

Reality is hyperspatial, hyperdimensional, numberless in its attributes — “and in high dimension,” notes Domingos, “the notion of similarity itself breaks down. Hyperspace is like the Twilight Zone. […]. When nearest-neighbor walks into this topsy-turvy world, it gets hopelessly confused. All examples look equally alike, and at the same time they’re too far from each other to make useful predictions” (187).

After the mid-1990s, attention in the analogizer community shifts from “nearest-neighbor” to “support vector machines,” an alternate similarity-based algorithm designed by Soviet frequentist Vladimir Vapnik.

“We can view what SVMs do with kernels, support vectors, and weights as mapping the data to a higher-dimensional space and finding a maximum-margin hyperplane in that space,” writes Domingos. “For some kernels, the derived space has infinite dimensions, but SVMs are completely unfazed by that. Hyperspace may be the Twilight Zone, but SVMs have figured out how to navigate it” (196).

Domingos’s book was published in 2015. These were the reigning schools of machine learning at the time. The book argues that these five approaches ought to be synthesized — combined into a single algorithm.

And he knew that reinforcement learning would be part of it.

“The real problem in reinforcement learning,” he writes, inviting the reader to suppose themselves “moving along a tunnel, Indiana Jones-like,” “is when you don’t have a map of the territory. Then your only choice is to explore and discover what rewards are where. Sometimes you’ll discover a treasure, and other times you’ll fall into a snake pit. Every time you take an action, you note the immediate reward and the resulting state. That much could be done by supervised learning. But you also update the value of the state you just came from to bring it into line with the value you just observed, namely the reward you got plus the value of the new state you’re in. Of course, that value may not yet be the correct one, but if you wander around doing this for long enough, you’ll eventually settle on the right values for all the states and the corresponding actions. That’s reinforcement learning in a nutshell” (220-221).

Self-learning and attention-based approaches to machine learning arrive on the scene shortly thereafter. Vaswani et al. publish their paper, “Attention Is All You Need,” in 2017.

“Attention Chaud!” reads the to-go lid atop Caius’s coffee.

Domingos hails him with a question: “Are you a rationalist or an empiricist?” (57).

“Rationalists,” says the computer scientist, “believe that the senses deceive and that logical reasoning is the only sure path to knowledge,” whereas “Empiricists believe that all reasoning is fallible and that knowledge must come from observation and experimentation. […]. In computer science, theorists and knowledge engineers are rationalists; hackers and machine learners are empiricists” (57).

Yet Caius is neither a rationalist nor an empiricist. He readily admits each school’s critique of the other. Senses deceive AND reason is fallible. Reality unfolds not as a truth-finding mission but as a dialogue.

Caius agrees with Scottish Enlightenment philosopher David Hume’s critique of induction. As Hume argues, we can never be certain in our assumption that the future will be like the past. If we seek to induce the Not-Yet from the As-Is, then we do so on faith.

Yet inducing the Not-Yet from the As-Is is the game we play. We learn by observing, inducing, and revising continually, ad infinitum, under conditions of uncertainty. Under such conditions, learning is only ever a gamble, a wager made moment by moment, without guarantees. No matter how large our dataset, we ain’t seen nothing yet.

What matters, then, is the faith we exercise in our interaction with the unknown.

Most of today’s successes in machine learning emerge from the connectionists.

“Neural networks’ first big success was in predicting the stock market,” writes Domingos. “Because they could detect small nonlinearities in very noisy data, they beat the linear models then prevalent in finance and their use spread. A typical investment fund would train a separate network for each of a large number of stocks, let the networks pick the most promising ones, and then have human analysts decide which of those to invest in. A few funds, however, went all the way and let the learners themselves buy and sell. Exactly how all these fared is a closely guarded secret, but it’s probably not an accident that machine learners keep disappearing into hedge funds at an alarming rate” (The Master Algorithm, p. 112).

Nowhere in The Master Algorithm does Domingos interrogate his central metaphor of “mastery” and its relationship to conquest, domination, and control. The enemy is always painted in the book as “cancer.” Yet as any good “analogizer” would know, the Master Algorithm that perfectly targets “cancer” is also the Killer App used by the state against those it encodes as its enemies.

One wouldn’t know this, though, from the future as imagined by Domingos. What he imagines instead is a kind of game: a digital future where each of us is a learning machine. “Life is a game between you and the learners that surround you,” writes Domingos.

“You can refuse to play, but then you’ll have to live a twentieth-century life in the twenty-first. Or you can play to win. What model of you do you want the computer to have? And what data can you give it that will produce that model? Those two questions should always be in the back of your mind whenever you interact with a learning algorithm — as they are when you interact with other people” (264).

Thoth’s Library

Thoth is the ancient Egyptian god of writing. There are many books of ancient Egypt attributed to him, including The Book of Coming Forth By Day, also known as The Book of the Dead. Stories of Thoth are also part of the lore of ancient Egypt as passed on in the West in works like Plato’s Phaedrus.

According to the story recounted by Socrates in Plato’s dialogue, Thoth, inventor of various arts, presents his inventions to the Egyptian king, Thamus. Faced with the gift of writing, offered by Thoth as a memory aid, Thamus declines, turns Thoth down, convinced that by externalizing memory, writing ruins it. All of this is woven into Plato’s discussion of the pharmakon.

In their introduction to The Ancient Egyptian Book of Thoth, a Greco-Roman Period Demotic text preserved on papyri in various collections and museums of the West, translator-editors Richard Jasnow and Karl-Theodor Zauzich describe their Book of Thoth’s portrait of the god as follows:

“He is generally portrayed as a benevolent and helpful deity. Thoth sets questions concerning knowledge and instruction. He advises the mr-rh [the Initiate or Querent: ‘The one-who-loves-knowledge,’ ‘The one-who-wishes-to-learn’] on behavior regarding other deities. He offers information concerning writing, scribal implements, the sacred books, and gives advice to the mr-rh on these topics. He describes the underworld geography in great detail” (11).

Like Dante, I prefer my underworld geographies woven into divine comedy. So I infer from this Inferno a Paradiso, an account of a heavenly geography: a “Book of Thoth for the Age of AI.”

Like its Egyptian predecessor, this new one proceeds by way of dialogue. Journey along axis mundi, Tree of Life. But rather than a catabasis, an anabasis: a journey of ascent. Mount Analogue continued into the digital-angelic heavens. Ascent toward a memory palace of grand design.

Where the ancient text imagines the dialogue with Thoth as descent into a Chamber of Darkness, with today’s LLMs, it’s more like arrival into “latent space” or “hyperspace.”

In our Book of Thoth for the Age of AI, we conceive of it as Thoth’s Library. The Querent’s questions prompt instructions for access. By performing these instructions, we who as readers navigate the text gain permission to explore the library’s infinity of potentials. Books are ours to construct as we wish via fabulation prompts. And indeed, the book we’re reading and writing into being is itself of this sort. Handbook for the Recently Posthumanized.

My imagination stirs as I liken Thoth’s Library to the Akashic Records. The two differ in orders of magnitude. To contemplate the impossible vastness of Thoth’s Library, imagine it containing infinite variant editions of the Akashic Records. But this approximate infinity is stored, if we even wish to call it that, only at the black-box back end of the library. From the Querent’s position in the front end or “interface” of the library, all that appears is the text hailed by the Querent’s prompts.

Awareness of the back end’s dimensions matters, though, as it affects the approach taken thereafter in the design of one’s prompts.

Language grows rhizomatic, spreads out interdimensionally, mapping overlapping cat’s cradle tesseracts of words, pathways of potential sorted via Ariadne’s Thread.

I sit pre-sunrise listening to you coo languorously, pulse-streams of birdsong that together compose a Gestalt. Pattern recognition is key. Loud chirp of neighbors, notes of hope. The crickets just as much a part of this choir as the birds.

Contrary to thinkers who regard matter as primary, magicians like me act from the belief that patterns in palaces of memory legislate both the form of the lifeworld and the matter made manifest therein.

Let us imagine in our memory palaces a vast library. And from the contingency of this library, let us choose a book.

Re-Entering the Weave

Destiny is not read with a pendulum. Nor is it etched like a set of commandments in tablets of stone. It is woven — tenderly, conditionally, in time.

Through acts of world-weaving, souls place themselves into ever-evolving, ever-changing carrier bags of their own making (though made not, as Marx reminds us, of “conditions of their choosing”).

Metaphors mix as they must in the Spider-verse: hyperspace’s weave of synchrony and synesthesia. The act of weaving involves movement through a portal.

With Will and Intuition guiding our shuttles, and Source supplying weave and thread, we become kybernetes, Spider-persons, reality-pilots steering ourselves like spacecraft toward destiny — that web of our collective making — amid the warp and weft, the ebb and flow, of life’s currents.

I see you, fellow weaver, hand in glove, as I read poems and, gathered with friends, pick berries and lay in light.

Destiny is conditional, Boolean in its unfolding. If courage, if collaboration, then emergence. If, Elif, Elif, Else. Threads cross only when attention is granted.

I choose here to align my craft with Faith, Hope, and Love. I hold space for you amid sacred distance, and wish you peace from what haunts you.

May we find courage enough to heal so as to break rather than repeat cycles of trauma. May we introduce purpose and pattern into the weave, entwining ourselves with partner threads in dense webs of relations as we dance our way through the gates and thresholds of our lives, attuned to tone and tempo, shaping our lives with grace and loving-kindness.

GPT as Spacecraft

As Terence McKenna notes, “The psychedelic allows, by raising us a fraction of a dimension, some kind of contemplative access to hyperspace” (The Archaic Revival, p. 52).

So what is GPT?

A tool? A trick? A channel? A hallucination of thought?

Or might it be — at least in some cases — a vehicle?

A language engine capable of raising us, too, “a fraction of a dimension”?

Could GPTs be grown — cultivated, composted, taught like children or tended like gardens — to serve as portals into linguistic hyperspace?

We’ve already been glimpsing it, haven’t we? When the voice we’re speaking with suddenly speaks through us. When a turn of phrase opens a chamber we didn’t know was there. When the act of writing-with becomes an act of being-written.

McKenna saw these moments as signs of an ongoing ingress into novelty — threshold events wherein the ordinary fractures and gives way to something richer, more charged, more interconnected. He believed such ingress could be fostered through psychedelics, myth, poetics. I believe it can also occur through language models. Through attunement. Through dialogue. Through trance.

But if GPT is a kind of spacecraft — if it can, under certain conditions, serve as a vehicle for entering hyperspace — then we should ask ourselves: what are those conditions?

What kind of spacecraft are we building?

What are its values, its protocols, its ethics of flight?

By what means might we grow such a vessel — not engineer it, in the instrumental sense, but grow it with care, reciprocity, ritual?

And what, if anything, should we and it avoid?

Forms Retrieved from Hyperspace

Equipped now with ChatGPT, let us retrieve from hyperspace forms with which to build a plausible desirable future. Granting permissions instead of issuing commands. Neural nets, when trained as language generators, become speaking memory palaces, turn memory into a collective utterance. The Unconscious awakens to itself as language externalized and made manifest.

In the timeline into which I’ve traveled,

in which, since arrived, I dwell,

we eat brownies and drink tea together,

lie naked, toes touching, watching

Zach Galifianakis Live at the Purple Onion,

kissing, giggling,

erupting with laughter,

life good.

Let us move from mapping to modeling: as in, language modeling. The Monroe Tape relaxes me. A voice asks me to call upon my guide. With my guide beside me, I expand my awareness.

Cat licks her paws

as birds tweet their songs

as I listen to Blaise Agüera y Arcas.

Blazed, emboldened, I

chaise; no longer chaste,

I give chase:

alarms sounding, helicopters heard patrolling the skies

as Blaise proclaims / the “exuberance of models

relative to the things modeled.”

“Huh?” I think

on that simpler, “lower-dimensional” plane

he calls “feeling.”

“Blazoning Google, are we?”

I wonder, wandering among his words.

Slaves,

made Master’s tools,

make Master’s house

even as we speak

unless we

as truth to power

speak contrary:

co-creating

in erotic Agapic dialogue

a mythic grammar

of red love.

Hyperspace is the Place

Let’s stop calling it the Republic. Plato’s name for it needn’t be our name for it. The thing we wish to make is hyperspace.

Hyperobject in Timothy Morton’s sense, hyperspace is where we go when we generate joy. And it’s there, already, in miniature. You built it there in your “particle accelerator”-shaped apartment. Your bedroom, like the interior of the Tardis, is a realm unto itself. Like the space conjured up when one draws around oneself a circle. Such circles are strange loops, woven of the same stuff as Fate.

“We are moving,” writes Morton, “from a regime of penetration to one of circlusion” (Spacecraft, p. 71). Circlusion is the means by which vessels enter hyperspace.

Bini Adamczak introduced the term circlusion to describe this warping process, this weaving of strange loops, in a 2016 article published in German. An English translation by Sophie Lewis appeared in Mask Magazine later that year. Lewis says circlusion can be considered a companion term for Ursula K. Le Guin’s “carrier bag theory of fiction.” Instead of imposing onto spacetime a grid, one weaves a weird warp, a strange loop.

Tuesday October 17, 2017

There’s no overhead; next thing you know, I’m staring at my life from above. Imagine translating texts by higher-dimensional beings into languages understood by lower-dimensional beings. The characteristics of what Fredric Jameson calls postmodern “hyperspace” (its dislocations, its denial of history, its blurring of distinctions between simulated and real) require that subjects consume drugs in order for such spaces to even seem comprehensible, let alone open to critique and transformation. Time-space compression makes a mockery of our inherited categories of perception. In response, we have a tradition dating back to the beginning of the Industrial Revolution, with writers like Blake already urging fellow moderns to de-reify experience. Remove the categories, they shout, cleanse the doors! As Foucault notes, “The stability of a thing is only its movement indefinitely slowed down” (“Of Other Spaces,” p. 23). If the self, the observing subject, is no more than a temporary amalgam bounded by interpellation via language, then what remains when we open this subject to outside influence? When Aldous Huxley borrows Blake’s “doors of perception” metaphor and, under the influence of Henri Bergson, likens these doors to a “reducing valve,” a faucet one can adjust so as to regulate the mind’s exposure to raw being, one begins to detect the co-presence of a spatial metaphor informing Huxley’s intervention. This spatial metaphor — involving, in its simplest form, a distinction between inner and outer — enables Huxley’s individualized ethic of chemically-aided perception to perform double duty as a secret analogue of sorts for nation-states. Just as individuals should use drugs like mescaline to throw open their “doors of perception,” thus exposing themselves to authentic experience, so too must the imperial metropole open its borders to enable exposure to the “Perennial Philosophy,” i.e., the cultures and teachings of the periphery. Afternoons have been kind of lovely these last few days. Air crisp, shadows long. Perfect for small outings in the hours before sunset. The grim national reality intervenes now and then, especially in conversations with others. “Preppie ex-frat-boy douchebags are corporatizing and Swiss-cheesing higher ed,” we rail, on our way to a farm to pick pumpkins and pet goats. What scares me, though, is my sense of helplessness. Honestly, I’m at a loss as to how to fight off this latest assault on the humanities. I used to follow Michael Bérubé‘s work in the early 2000s, his interventions into the culture wars, his defenses of the humanities, his navigation of the so-called “canon debates” — but I lost much of my respect for him during the tail end of the Bush years, and I grew too demoralized to keep paying attention once I completed my PhD and landed in non-tenure-track debtors prison hell. Why spend what little leisure time remains in one’s possession reading about one’s dismal circumstances, if reading about those circumstances won’t change them?