Laid out on a futon on a screened-in porch at my sister-in-law’s house in upstate New York, I sip a Belgian-style wit brewed locally with hints of lavender, children’s voices rising up from the park across the street. Origami birds hung with wire circle and converse beside a Japanese maple. My favorite moments are ones like these when, through modest experiments with sense and awareness, I’m able to reach out and investigate my surroundings. The books I’ve been reading these past few days all seem connected in accordance with what the Three Initiates refer to as “the Principle of Correspondence.” Brian C. Short’s New People of the Flat Earth, The Kybalion, even the movie Back to the Future, which my nephews watched for the first time last night: all of these works seem to resonate when properly aligned. The same can be said of these origami birds hanging by the window, their forked tails and black-and-white plumage resembling those of the frigatebirds I noticed last night flying in the sky above my sister’s back yard. The question now is: how might I utilize this principle in service of the good?
To celebrate J.’s birthday, the three of us board the tube to Kew Gardens. Due to an unexpected station closure at our place of transfer, however, we’re diverted onto an overpacked bus, an old man in the seat by the door loudly berating the driver in Jamaican Patois. “Dis be terrorism,” he complains, pleading with the driver to deny access to further passengers. “Please no let no more people on dis bus.” Upon our arrival at Kew, we promptly run into J.’s friend, the writer Bhanu Kapil — a remarkable synchronicity, we all acknowledge, given that we also crossed paths with Bhanu yesterday at the ICA. In both cases, we had no foreknowledge of each others’ plans. “What does it mean?” we wonder, particularly since Bhanu is here in town to hold a seance a few days from now wherein she’ll be using the Shining Tribe Tarot, an art deck given to her by Rachel Pollack. Bidding leave of her until next time, my companions and I journey out amid Crystal Palace greenhouses, a treetop walkway, a Victorian herbarium, a Japanese pagoda, a pseudo-Roman “folly.” These gardens form a kind of totalizing floral architecture, I think to myself. A literalization of the fruits of empire.
I plug in Walter Wegmuller’s Tarot and float down a canal.
Sarah and her colleague J. are preparing to teach a course about witches this summer. The course includes a screening of Suspiria, and who did J. run into at the Leonora Carrington exhibition this afternoon? None other than one of the stars of the recent Suspiria remake, Tilda Swinton. Let us muse upon this most witchy of synchronicities as geese fly overhead.
I roll down the passenger-side window and sit in my wife’s parked car beside a prickly bush, bothered by my historical moment but trying to breathe, trying to find joy and cheer despite the gridded, hyper-branded environment. A kiss and I feel much better. Roses, rainbow umbrellas, Moses Boyd’s “Rye Lane Shuffle.” Or better still: Yussef Kamaal’s “Black Focus.”
The relationship to capitalism is one forced upon me, my consent squeezed out of me every time I share space with others, i.e. every moment of every hour. How do I shed the anger I carry about, so as not to be troubled by headlines, flags, courts, markets, affairs of state — the recklessness and hostility of the American present? One way is to discover a secret history of underground resistance, like the one featuring Michael Aldrich, author of “Marijuana Myths & Folklore,” the first Ph.D dissertation on cannabis in the US, completed at SUNY Buffalo in 1970. Aldrich founded the first college chapter of LEMAR in 1967 and was co-founder of Amorphia (1969-1973), the organization that sponsored the first California Marijuana Initiative in 1972. Download issues of old counterculture newspapers like Oz, Gandalf’s Garden, the Ann Arbor Sun, and The Marijuana Review. Allow magical meanings to reveal themselves day by day. By that, I suppose I mean synchronicities and sermons heard in birdsong. Leary associate Art Kleps seems to have preferred something more than that. For him, “ideas of reference” are where it’s at, as he claims in The Boo Hoo Bible (161). But mine is the path of Ahimsa, Satya, Asteya, Aparigraha, and Brahmacarya: the five principles of Yama.
I am he, apparently, who prepares the table and watches in the watchtower. As I carry around my copy of Vagabonding in America, a synchrony of separately-arrived-at roads all lead to Isaiah 21. Chariots, horsemen, a student asking to lead a discussion about the Dylan song “All Along the Watchtower”: does this mean Babylon is fallen, is fallen?
A low robotic voice speaks to me in another language. I imagine myself riding around behind set in a golf cart as crew members arrange backdrops for upcoming scenes in my life narrative. One of these crew members, watching me read David Toop’s Ocean of Sound and knowing that this book contains a reference to a famous London music venue of the 1960s called The Roundhouse, places in my path in a bin at Goodwill a VHS recording of a Doors show at The Roundhouse from September 1968. Genesis Breyer P-Orridge and their crew Thee Temple of Psychick Youth bequeathed to heads the concept of “occulture,” referring to “anything cultural yet decidedly occult/spiritual.” It is by way of occulture, then, that I intuit meaning of some sort, evidence of a sentient other, in whose possession is held the torch of enlightenment. I now have a receiver station, above which may open portals out of which may drop gifts, each one a vessel or talisman containing instructions, tools for self-actualization. Access to unconscious powers. I watch myself escorted down into a state-run institutional facility housing the holding cell of the Id. Shadow-dramas of past eras play upon the walls. Under neon lights, we speak.
How do we go about building the Commune? Does George Ciccariello-Maher know the answer? ‘Cuz I don’t. Not off the top of my head. I wish the “venue of the mind” would turn forth instructions in an hallucinatory rush. Spill the beans, a voice insists. Don’t just pen a bunch of commentary. Enough! Focus! Come on! Resurrect mythopoesis to combat logos. Debt permits, sanctions, ensures the perpetuation of the daily torture of compelled labor. The body and mind dragged for long stretches through thoughtless routine. When I woke yesterday, though, the world seemed imbued with elusive but occasionally-glimpsed strings of coincidence, or what others have seen fit to call “grace.” I happened upon a passage in Arthur Koestler’s The Challenge of Chance where he speaks of “l’ange distributeur des pensées,” or “the angel who distributes thought” — a phrase he attributes to the nineteenth-century French writer Xavier de Maistre. This seems as good a name as any for that invisible power that time and again intervenes on my behalf, aligning me with my surroundings, delivering up small, unexpected bounties, arranging physis and psyche into a synchronistic, meaning-bearing whole. The angel, observable only through its effects, guides us with maps and instructions toward evil’s undoing. In its place, pleasure’s pursuit. Speaking of which: Sarah and I have been watching the new season of Mr. Robot, where dystopia appears as global capitalism itself, not some national subset thereof. The live drama of terminal class rule, as narrated by a uniquely gifted schizoid myth-hacker worker-subject. Reality is far greener, I tell myself. One can approach it as alien terrain, a vast mystery. One’s life can hang on the assumption, the expectation, of eventual revelation. Why can’t we as persons intervene in Being? The system allows for the flourishing of some, while condemning the rest to privation. Get rich quick the hope of all. How do we change that? How do we reprogram?