‘Tis no mere coincidence, that all of these organizations of the future have such similar-sounding names: Mark Fisher, Sadie Plant, and Kodwo Eshun et al.’s Cybernetic Culture Research Unit (CCRU), John C. Lilly’s Cosmic Coincidence Control Center (CCCC), and Benedict Seymour’s Central Control Committee (CCC). Of the three, the one that intrigues me is the CCC. In a piece titled “The re-Jetée: 1971, recurring,” Seymour sets the scene as follows: “The year is 2040. Facing species extinction and environmental collapse, the members of the Central Control Committee (CCC) of the newly established World Commune resolve to deploy their last hope — the time machine.” Does my own narrative need some such organization? Is there an occult time war underway? Or is the story, rather, one of recovery from trauma?
A house I pass while out walking in my neighborhood wears a mask with a sideways haircut. I am asking you to read me as a destitute Utopian realist, friend, inflated with chemicals and making it up as I go. It is nice to have loved ones you can join on walks. And neighbors who are radical anarchist gardeners. How easily, though, that can slip into radicalism reduced to a mere lifestyle. Sarah hips me to the hedge-jumping acid-folk Utopianism of Van Morrison’s divine transmission, “Sweet Thing.”
Will I be beaten for mistranslating my mission? Jake Gyllenhaal’s performance in Okja clutches and fills my heart with fear. I have difficulty translating. Signs go unread. Associative logic is too advanced and moves too rapidly for full trance-scription. The Spectacle has become immersive and sonic and fractal. Characters even play their own twins. Methods of cultural study have been outpaced by media. The film performs a devastating act of cognitive mapping. Psychedelic consciousness teaches us to hold all creatures close to our heart. Revolutionaries should build into their program the abolition of carnivorism. (Live as I say on this score, not as I do.) When tracing the origins of Acid Communism, one has to tell the story of the University of Warwick’s Cybernetic Culture Research Unit, delving especially into the Unit’s fondness for mind-altering substances during its heyday in the 1990s. One could note the progression of Sadie Plant from a 1992 book on the Situationists to 1999’s Writing on Drugs. Before this, of course, one’s narrative would have to discuss the interwar self-experimentation documented in Walter Benjamin’s On Hashish. Meanwhile, a search for “Acid Communism” on YouTube reveals the following: Acid Womble’s “When the class consciousness kicks in… [wombles 4 communism],” and a collection of videos by someone named Aaron.