Is Accelerationism an Iteration of Futurism?

After watching Hyperstition, a friend writes, “Is Accelerationism an iteration of Futurism?”

“Good question,” I reply. “You’re right: the two are certainly conceptually aligned. I suppose I’d imagine it in reverse, though: Futurism as an early iteration of Accelerationism. The former served as an experimental first attempt at living ‘hyperstitiously,’ oriented toward a desired future.”

“If we accept Hyperstition’s distinction between Right-Accelerationism and Left-Accelerationism,” I add, “then Italian Futurism would be an early iteration of Right-Accelerationism, and Russian Futurism an early iteration of Left-Accelerationism.”

“But,” I conclude, “I haven’t read enough to know the degree of reflexivity among participants. I hope to read a bit more along these lines this summer.”

The friend also inquires about what he refers to as the film’s “ethnic homogeneity.” By that I imagine he means that the thinkers featured in Hyperstition tend to be British, European, and American, with few exceptions. “It could just be,” I reply, “that filmmaker Christopher Roth is based in Berlin and lacked the budget to survey the movement’s manifestations elsewhere.”

The friend also wonders if use of concepts like “recursion” among Accelerationist philosophers signals some need among humanities intellectuals to cannibalize concepts from the sciences in order to remain relevant.

“To me,” I tell him, “the situation is the opposite. Recursion isn’t just a concept with some currency today among computer scientists; it was already used a century ago by philosophers in the Humanities. If anything, the Comp Sci folks are the ones cannibalizing the American pragmatist philosopher Charles Sanders Peirce.”

“At best,” I add, “it’s a cybernetic feedback loop: concepts evolving through exchange both ways.”

Tuesday January 1, 2019

Twenty-eighteen ends with a friend recommending Earl Lovelace’s The Dragon Can’t Dance to the sound of Sly & the Family Stone’s “Everyday People” and P-Funk’s “Mothership Connection,” two powerful Afrofuturist expressions of hippie modernism. Twenty-nineteen begins with Chaka Khan’s “Like Sugar” and the mystery of the dancing queen.

Radical disconnection from the discourse of the community, including the FIRE (Financial Independence, Retire Early) community. Others tell tales about a YouTube character known as The Thrift Shop Dude. Public transportation. Something having to do with a basilisk. Fascinating conversations as reality evolves, jumps levels from one year to the next. “We’re actually on 2016, version 3,” says some dude at the party, as if each year since has been a failure to self-actualize, both for me and for the society as a whole. There’s a strange sense of stasis. I want Sarah and I to have a kid, I want us to improve our living conditions and move into a better home, I want us to pay off our debts. I also want an end to Trump and a reorganization for the better of our relations with the General Intellect. People are smart. How do I activate that intelligence in my classroom? The new year began with a reminder of my limited knowledge of dance and funk and partying (epitomized, perhaps, by my ignorant former fondness at an earlier stage in my being for the playing-to-stereotypes cash machine known as “Jungle Boogie”), only to then unfold into an allegory leading toward a choice between Christian Socialism, Democratic Socialism, and Left Accelerationism. I pulled a Bartleby and remained throughout the night a fence-sitter. When I asked the three allegorical figures, the three wise men speaking on behalf of these positions, inhabiting points on a spectrum from less to more bearded, if there was still time to choose between augmented intelligence and artificial intelligence, they shook their heads adamantly, especially the Left Accelerationist, and told me that that train had already left the station. “Empathy” appeared initially as a term around which we could agree, but the representative of Christian Socialism seemed troubled and unwilling to assent to even so modest a commons as that, worrying that it amounted to short-sighted, guilt-absolving but otherwise ineffective efforts to “put people out of their misery.” I begged pardon to consult with Sarah, only to be shoulder-rubbed gently and told by the Left Accelerationist that it was unfair to burden others with what were no more than thoughts improvised in the spur of several moments. Why do years leap like this, each moment containing infinite branching pathways toward radically incommensurate futures? The lesson, I guess, is that I remain unsatisfied with existing options, despite the clock’s advance.