Thursday August 10, 2017

A house I pass while out walking in my neighborhood wears a mask with a sideways haircut. I am asking you to read me as a destitute Utopian realist, friend, inflated with chemicals and making it up as I go. It is nice to have loved ones you can join on walks. And neighbors who are radical anarchist gardeners. How easily, though, that can slip into radicalism reduced to a mere lifestyle. Sarah hips me to the hedge-jumping acid-folk Utopianism of Van Morrison’s divine transmission, “Sweet Thing.”

She and I live out the prophecy of “We shall walk and talk in gardens all misty and wet with rain.” So much of Astral Weeks is like that. We Acid Communists need to dip in finally to Ernst Bloch’s multi-volume The Principle of Hope. And maybe also Roger Zelazny’s Lord of Light, with its group of revolutionaries, the Accelerationists. (And no, for those who are wondering: I do not consider myself an Accelerationist. The only thing I wish to hasten is the coming of the Utopia of Acid Communism; but for me, that means labor’s exodus from capital, not the latter’s acceleration.) As for the Cybernetic Culture Research Unit, it was founded at the University of Warwick in 1995 by Fisher, Sadie Plant, Nick Land, Robin Mackay and others, and had ceased to exist as a functional entity by the turn of the millennium. Major downturn here as the dog started pissing on the bed. I cope by practicing intuitive breathing exercises. The depiction of existential dread through a montage of found media in the Zero Books channel’s “Kill All Normies” video speaks fluently of my current predicament.

Why have we talked ourselves into such a dreadfully degraded form of consciousness? How do societies respond to pervasive nihilism? Surely that signals the approach of our show’s finale, no? Are our peers, even the most devout, all secretly traumatized by the death of God and the subsequent purposelessness of existence? I’m barely able to continue to process this. It uses brainwashing techniques such as subliminal messages and emotional association through imagery. Their claim to have control of my mind frightens me. Is “meme magic” legitimately a thing? I feel like I’ve crossed a threshold, and the world has crossed it with me. The interregnum between paradigms. Whose dream am I in if not my own? “Relax, it doesn’t matter,” the shadow self whispers. “Commit yourself only to Being.” Can I square that with the implied monism of “Nature as system of systems”? I feel like I’ve become a person who talks beside himself in public. Angela Nagle’s shamefully ill-informed critique of the politics of transgression in Kill All Normies resembles a student pretending to speak with smug disdain on a topic known only through ideologically-driven potted online summaries, ideas from the Nietzschean / Sadean Left of the 60s and 70s cherry-picked and drastically oversimplified in an attempt to prove a point — that point being that the time has come to lay to rest the entire paradigm of resistance through cultivation of counterculture. To claim as Nagle does the cultural dominance of the Left during the Obama years is to ignore in one’s conception of culture the culture of business, as well as the cultures of the religious right. This is what happens when analysis of culture sidesteps participants’ relations to means of production (including but not limited to means of consciousness-production). The Right transgresses, yes, even under capitalism — but only by falsely hypostasizing the part for the capitalist whole.

Wednesday August 9, 2017

Will I be beaten for mistranslating my mission? Jake Gyllenhaal’s performance in Okja clutches and fills my heart with fear. I have difficulty translating. Signs go unread. Associative logic is too advanced and moves too rapidly for full trance-scription. The Spectacle has become immersive and sonic and fractal. Characters even play their own twins. Methods of cultural study have been outpaced by media. The film performs a devastating act of cognitive mapping. Psychedelic consciousness teaches us to hold all creatures close to our heart. Revolutionaries should build into their program the abolition of carnivorism. (Live as I say on this score, not as I do.) When tracing the origins of Acid Communism, one has to tell the story of the University of Warwick’s Cybernetic Culture Research Unit, delving especially into the Unit’s fondness for mind-altering substances during its heyday in the 1990s. One could note the progression of Sadie Plant from a 1992 book on the Situationists to 1999’s Writing on Drugs. Before this, of course, one’s narrative would have to discuss the interwar self-experimentation documented in Walter Benjamin’s On Hashish. Meanwhile, a search for “Acid Communism” on YouTube reveals the following: Acid Womble’s “When the class consciousness kicks in… [wombles 4 communism],” and a collection of videos by someone named Aaron.

And man, what a treasure trove of mindbenders it is. Fisher had moved in the year or so before his death to a definition of capitalist realism as a form of “consciousness deflation,” or “the receding of the concept of consciousness from culture.” Forms of consciousness were developing in the 1960s that were dangerous to capital: class consciousness, psychedelic consciousness (key notion being “plasticity of reality”), and (thinking here of early women’s-lib consciousness-raising groups) what we might call personal consciousness (self as it relates to structures). Of course, the important and perhaps most controversial point, is that “Consciousness is immediately transformative, and shifts in consciousness become the basis for other kinds of transformation.” Recognizing the threat this could pose, capitalism adopted a project of Prohibition, or what Fisher called “libidinal engineering and reality engineering.” The goal of consciousness deflation is to cause us to doubt what we feel. Anxiety is enough — that’s all it takes to control us. But consciousness remains malleable, and the tools for raising it are finding their way back into the hands of the people. “What is ideology,” Fisher asked, “but the form of dreaming in which we live?” Patches of green through a haze of condensation in the windows where the walls meet the drop ceiling in my basement. Are stories and games not the ways we navigate space and time? Seize control of them! Invent new games, even if only games one performs in solitude. Send minds careening away from the narrative of identity in space and time imposed by capitalism. Take yourself, even if only momentarily, to a new reality. And then draw audiences with you into labyrinths of pleasureful indeterminacy, drawn out spectacles of release from the hegemonic consensus. Trope-scrambling helps, as does appropriation and montage. General ontological indeterminacy is our goal. And we should recruit out there as many people as will join us, subtracting prefiguratively into our psychedelically enhanced Acid Communist MMORPG, our free 3D virtual world. Go play yourself FACT mix 613 by Wolf Eyes / Hanson Records noise maven Aaron Dilloway while brushing up on Marcos Camacho, better known by his nickname Marcola, the leader of Brazil’s Primer Comando de la Capital. Altered states, baby! Beware the nightmarish spread of the void.