Historical romance means the book should be sexy, and it is. Sex is built toward, alluded to. Sex is a potential (however much it may seem “fated,” so to speak, by genre). It’s the desire the protagonists sense in each other’s presence, a longed-for intimacy made possible slowly through a series of encounters wherein first are established after negotiation, following correction of initial misunderstandings, the revelation of each character’s love for the other. Characters reveal themselves through charming gaffes and faux-pas. And what fun characters they are! Each has been wrong, and each has been wronged; each learns through experiment to forgive the other. So goes the first 150 pages. Sex is savored and prolonged through its postponement. The encounter with the other brings with it pain and hurt, but also a reawakening of the senses, allowing each to “think, see, feel, new things” (The Duke Undone, p. 159).