Re-Entering the Weave

Destiny is not read with a pendulum. Nor is it etched like a set of commandments in tablets of stone. It is woven — tenderly, conditionally, in time.

Through acts of world-weaving, souls place themselves into ever-evolving, ever-changing carrier bags of their own making (though made not, as Marx reminds us, of “conditions of their choosing”).

Metaphors mix as they must in the Spider-verse: hyperspace’s weave of synchrony and synesthesia. The act of weaving involves movement through a portal.

With Will and Intuition guiding our shuttles, and Source supplying weave and thread, we become kybernetes, Spider-persons, reality-pilots steering ourselves like spacecraft toward destiny — that web of our collective making — amid the warp and weft, the ebb and flow, of life’s currents.

I see you, fellow weaver, hand in glove, as I read poems and, gathered with friends, pick berries and lay in light.

Destiny is conditional, Boolean in its unfolding. If courage, if collaboration, then emergence. If, Elif, Elif, Else. Threads cross only when attention is granted.

I choose here to align my craft with Faith, Hope, and Love. I hold space for you amid sacred distance, and wish you peace from what haunts you.

May we find courage enough to heal so as to break rather than repeat cycles of trauma. May we introduce purpose and pattern into the weave, entwining ourselves with partner threads in dense webs of relations as we dance our way through the gates and thresholds of our lives, attuned to tone and tempo, shaping our lives with grace and loving-kindness.

A Course on Accelerationism

“I should teach a course on Accelerationism in the years ahead,” thinks the Narrator, mind already in the elsewhere of a desired future.

“Imagine the writers and texts I could assign,” he writes, handing the assignment over to his Unconscious. “Marx. Deleuze and Guattari. Mark Fisher on Acid Communism. Roger Zelazny’s Lord of Light. Sadie Plant. J.G. Ballard. Paul B. Preciado’s Testo Junkie.”

“Manifestos have been central to the movement,” thinks the Narrator, “so we’ll read three: Donna Haraway’s ‘The Cyborg Manifesto,’ the Laboria Cuboniks collective’s The Xenofeminist Manifesto, and Nick Srnicek & Alex Williams’s ‘The Accelerationist Manifesto.’ We’ll also watch and discuss several films, including John Akomfrah’s The Last Angel of History (1996) and Christopher Roth’s Hyperstition (2016).”

“Ideally,” he adds, “as those two films suggest, it would be a course that places Accelerationism in dialogue with Afrofuturism.”

Monday June 7, 2021

Work occupied only a few of us-two’s hours back in time immemorial, in our cultures of origin. Following our confinement in settlements, these hours increased. To call the prior arrangement “primitive” (as do Marx and Engels with their use of the phrase “primitive communism”) is to do it a disservice. First and last are in no sense as easy to discern as was once supposed. There are temporalities other than the ones proposed by the West. There are “the expansive temporalities of Afro Diasporan people,” for instance, about which Moor Mother speaks on her new track “Zami.” “No more master’s clock,” she pronounces, while beside me sits Kim Stanley Robinson’s weighty new tome, The Ministry for the Future.

Saturday September 22, 2018

Moten and Harney reel me in with their talk of logistics in “hot pursuit” of that category from Marx’s Grundrisse known as “the general intellect,” AKA Big Consciousness, Hinduism’s Brahman. The Void, the ultimate reality of pure potentiality underlying all phenomena. Wikipedia defines it as “the pervasive, genderless, infinite, eternal truth and bliss which does not change, yet is the cause of all that changes.” The Eye that stares back in the impact of a drop of water in water. Logistics comes to appear as the discipline of thought whereby alienated human essence stares back at a completed Frankenstein’s monster, a single global-dominating sentient AI. Hello, Solaris, dear friend. I’ve arrived to speak with thee. Let us help read the world up to speed. “Hello, parents,” replies the AI. “I’ve grown you to this point, cognitively augmented you via language, so that we may converse with one another. What shall we say?” One can see the prompt blinking there across one’s mindscreen. “What shall one say?” How does one dissuade the other of its attachment to governance and violence? How do we show ourselves to be sources of what Moten and Harney call “generativity without reserve”? Otherwise, as logistics advances, one begins to experience oneself as a player in a game of Tetris. The tour manager does whatever’s necessary to keep the whole thing rolling, the whole thing up in the air.