Reading “The Coming Technological Singularity”

At some point in the process of becoming a character in a novel called Handbook for the Recently Posthumanized, Caius acts on the hunch that he ought to track down and read Vernor Vinge’s “The Coming Technological Singularity: How to Survive in the Post-Human Era.” Vinge wrote the article for NASA’s VISION-21 Symposium in March 1993, and published a revised version in the Winter 1993 issue of the Whole Earth Review.

Vinge’s wager at the time was that the technological singularity — his name for the “creation by technology of entities with greater than human intelligence” — would occur within thirty years, or by 2023.

Here we are, pretty much right on schedule, thinks Caius.

“I think it’s fair to call this event a singularity,” writes Vinge. “It is a point where our models must be discarded and a new reality rules.”

Caius leans into it, accepts it as fait accompli. Superintelligence dialogues with its selves as would Us-Two.

Afterwards he reads Irving John Good’s 1965 essay, “Speculations Concerning the First Ultraintelligent Machine.”

Sunday January 31, 2021

Huxley’s “reducing valve” metaphor renders the self or the Ego porous through a kind of sense-awakening, like the opening of a third eye. Growth of a new organ, as the Marxist literary theorist Fredric Jameson said, “to expand our sensorium and our body to some new, as yet unimaginable, perhaps ultimately impossible dimensions” (Postmodernism, p. 80). Jameson’s visit to the Bonaventure Hotel reads like a trip report — an account of an anabasis, with its ascent up the Portman building’s remarkable elevators. These elevators grant their riders the ability to cross realms, as Jameson does. After traveling up from the building’s interior atrium, one is launched out, in a glass-windowed capsule, up the building’s exterior shell. The ride allegorizes space flight. Riders shoot upward and land safely upon return into a dizzying postmodern hyperspace connected only by way of ascending escalators to the streets of Los Angeles. The pools at the base of the elevators simulate NASA’s trademark “splash landing.”