Through a door in the wall opened by Robin D.G. Kelley’s Freedom Dreams, I arrive to the Chicago Surrealist Group. (Kelley had recommended Paul Garon’s book Blues & the Poetic Spirit. “Look, too,” he’d said, “for an edited collection called Refusal of the Shadow: Surrealism and the Caribbean. And don’t forget special issues of Living Blues and Race Traitor.”) Instructions received, I descend the stairs and work the stacks, knowing that my attention is the one thing that might save me. Sources arrange themselves on the shelves of the memory palace shouting “Read me, read me!” So I do.