Tuesday April 20, 2021

Trees bloom, flowers grow wild in the grass as Bicycle Day gives way to 4/20. Cardinals alight on branches, visiting throughout the day. I delve again into World Psychedelic Classics 3: Love’s a Real Thing. The cover notes describe the compilation as “an African assimilation of the psychedelic revolution — distorted, political, hallucinogenic, and, of course, danceable. Thousands of miles from the Summer of Love’s utopian origins, yet somehow, not so far away…” It’s an amazing collection: twelve tracks of funky West African psychedelia from the early 1970s. Tracks like Moussa Doumbia’s “Keleya.”

External influences interact with indigenous traditions and vice versa. “Acid rock as something familiar if not entirely home-grown,” writes Ronnie Graham, who hears on the album “the African beats missing from Monterey and which Woodstock lacked.” One longs for a transnational history of psychedelia. Brazil, Japan, Germany, the countries of West Africa: let us tell of how minds manifested in these countries. In the meantime, though, let Luaka Bop and its World Psychedelic Classics series serve as our guide.

Thursday August 22, 2019

Tap on Relatively Clean Rivers. Flash that archetypal Dayglo river-road landscape on the album cover, hint of the mid-1970s privately pressed Marin County-rooted psychedelic folk-rock contained therein. The record includes odd instrumental hollows, exudes a sweet blend of joy and melancholy: “weight off one’s mind,” as the band sings on “Hello Sunshine.”

To encounter it is to encounter a psychedelic beacon, the acid equivalent of the holy spirit, beaming a signal to fellow heads across time. What is it that we’re trying to tell one another, I hear myself asking, we who have had psychedelic experiences? Where did we find ourselves before, in the midst of, and after? The lyrical persona in “A Thousand Years” speaks as one frustrated by subjecthood and identity, disappointed to find itself left again with a face—but the voice persists in its attempt to communicate. It’s an Orphic persona: one who attempts to realize and comprehend the totality, one who bears news from the other side. The news seems to be that all that is Good is trying to win us to its side. Songs are credited to band member Phil Pearlman, a name that recalls past parables as well as poems from the beginnings of English literature. Pearlman’s two incarnations prior to Relatively Clean Rivers were called The Electronic Hole and The Beat of the Earth. After a conversion of sorts involving a bible on a beach, however, Pearlman changed his name to Seth Philip Gadahn. Quite a story there, for those who wish to look.