The Eden narrative holds some sort of terrible power over me, infecting my thinking, filling me with needless dread. I sometimes feel as though I’ve successfully extracted myself from it, carving off some space outside it from which to operate — but the perimeter it draws around consciousness always reasserts itself as all-encompassing. It’s the ultimate metanarrative, language pressed into the shape of an imprisoning imperial enclosure, hailing everyone and everything as its subject. Weird, then, that this story that so cruelly sentences the children of the first humans should also be one that posits the existence of “free will.” I imagine Eric Wargo’s book Time Loops will help me think through, around, or beyond some of these issues. Wargo’s ideas about retrocausation and precognition bubbled up out of the cauldron of weirdness at last night’s wonderful Strange Attractor event at The Horse Hospital, where Erik Davis delivered a talk to promote his new book High Weirdness, with assists by Roger Luckhurst and Daisy Eris Campbell. Daisy mentioned an interesting discovery at CERN where scientists developing narrative frames for data coming out of experiments at the center found that the frames imposed on the data retroactively changed the data. This causes me to wonder: how stable are these trance-scripts? Backing away from the lip of that rabbit hole, I hop on a bus and visit the William Morris Gallery up in Walthamstow, near the edges of Epping Forest. An old woman boards the bus carrying a bag of groceries. Printed on the side of her tote are the words, “I’M AN OLD BAG FROM SUSSEX.”
Street art adorns every available surface along London’s Brick Lane — tags, murals, stickers, posters, the works. Uniformed schoolchildren file past, their tour guide pointing out to them where the master weavers used to live. Rounding the corner onto Sclater Street, I stroll over to a bar and grab a seat under an awning on the sidewalk. A courier rides by on a bicycle as I sip my lager. What am I to do with these interests of mine? Marxist philosophers, Decadent poets, psychonauts, occultists, members of the New Weird Britain: do any of these figures matter anymore, or has the hour of the counterculture’s final passing come round at last? The success of Strange Attractor Press suggests that there’s still a readership for this material. Let us persist, then, in our faith that these forces can reactivate and work their magic in the years ahead.