It rains through the night, but we stay dry in our tent. I sleep comfortably and wake to a world of sound. Daddy long-legs spiders gather in the dry space between the breathable net of the tent’s roof and the tarp above. Breakfast is delicious: pancakes, sausage, Canadian bacon, maple syrup, bread made with cardamom and dates, purchased the morning prior by the author’s aunt and uncle from a farmer’s market in Bolton Landing. Tent goes tie-dye with the addition of a blue tarp. I reflect for a time on the pyramidal symbology of my surroundings: zippers, seams, poles all tending toward apex as we await windows of sunlight. Respite from the rain. Camping educates desire. In my case, it teaches me the value of nooks, coves, hideaways. My nephews lead me to a hollow formed beneath the roots of a tree, down near the edge of the lake. “Bookmark it, note it down, save it for later,” thinks the time traveler. “The image may be of use to us elsewhere in our journey.” News arrives soon thereafter: another inch or two of rain expected in the night ahead.
Under the Dome
Camping: a play starring mother, sister, brother-in-law, niece and nephews, aunts and uncles, Sarah and Frankie. Air mattress craps out, so Sarah drives into town to purchase another. I stay behind at the camp, in a camp chair beside Frankie as she naps. Sister orders pizza; brother-in-law and uncle handle boat and jet-ski. Domed tents go up amid leafy profusion: Coleman, Ozark Trail. ‘Tis the universe of Sears-Roebuck, L.L. Bean, and Whole Earth Catalog: temporary tools and architectures. But beside each tent sits a car, where in earlier times would have stood a horse. Nothing here is as I wish. No wisdom, no gnosis. No silence, no solace. No love ’til I sit with trees. Is the time travel narrative’s hero the one who stays or the one who goes?