Thursday June 13, 2019

Seagulls trace a figure eight as I stare out the windows of my flat on an overcast evening, a janitor running a mop across the floor of an office across the way. Living amid these upper levels takes some getting used to, so I pop in some earbuds and wander about. Deterred by rain, I board a bus, destination unknown. Headlights catch on rain-spattered panes of glass.

Wednesday June 12, 2019

After an out-of-this-world dinner of Chicken Tikka and Awadhi Lamb Biryani at Dishoom Shoreditch (a meal paid for by a friend whose wish is that we live deliciously here in London), I return to my room and experience a weird visitation of mixed import — a tantric transmission that leads me out on a journey to the Atlantis Bookshop and Treadwell’s, in search of what: clues? hints? answers? I note down signs witnessed along the way: “Planet Logistics,” “Everything Must Go,” a Men in Black poster with the tagline, “The World’s Not Going to Save Itself.” Is this a call to heroism, a siren awakening moviegoers to action? Or is the messiah always elsewhere — external, superhuman — shadow-government guardian angel dressed (depending on religious dispensation) either in white or black?

Tuesday June 11, 2019

Having finished Sword of Wisdom, I spend the first part of my sixth day at the British Library dipping into Jeff Nuttall’s Pig, a book written in the afterglow of Ulysses and Naked Lunch. This being a research junket, though, there’s only so much a’ that one can take, so I shift gears and thumb through another of Nuttall’s books, a hippie manifesto of sorts called Bomb Culture. At the end of the book’s preface, Nuttall writes, “What can be said in words about how the vat was brought to the boil I hope to have put down in the following pages” (Bomb Culture, p. 10). Nuttall’s book antedates Dick Hebdige’s Subculture: The Meaning of Style by a decade, feels more directly immersed in and connected with the hip counterculture than the latter, and says all that the latter says, only with knife-sharp clarity and glamour galore.

Monday June 10, 2019

A dreary day — cold, rainy — most of it spent indoors reading the final hundred pages of Ithell Colquhoun’s book on MacGregor Mathers at the British Library. I’m all for observation of synchronicities and correspondences, but Mathers’s attempts to align various ancient magical systems — alchemy, astrology, Hermetic Qabalah, John Dee’s angelic alphabet, Egyptian and Celtic lore — leaves me exhausted and overwhelmed. Perhaps it’s time to shift course.

Sunday June 9, 2019

On the train again headed back to London after a lovely time in Cornwall. We toured the hills and fields, dined on regional fare — baps, fish and chips, pasties, clotted cream, cones of Cornish whippy — communed with ducks, geese, crows, and seagulls, not to mention dogs, dogs, all manner of canine, Boscastle is a doglovers’ paradise — plus wildflowers, we mustn’t forget wildflowers, hedgerows dotted with dainty purple foxgloves and daisies, with time set aside Saturday night, after all this Arcadian hiking and lazing about, for a candlelit evening tour of the Museum of Witchcraft and Magic. Among the displays of charms and potions and wishing mirrors, the items that most intrigued me were the colorful Golden Dawn artifacts and the ornate robe worn in rituals performed by Argentum Astratum.

Saturday June 8, 2019

“A bit of peace” as I sit on a slate bench beside a stream, flies and potato bugs visiting on occasion but nevertheless respecting my space, allowing me to stare off into the shadows of the woods across the way. Earlier in the day I peeked into Merlin’s cave and glimpsed ancient Arthurian ruins along the coast of Tintagel. It pleases me immensely to think as Ithell Colquhoun did, viewing Cornwall in mythic terms, imagining time-traveling Druids and phantom islands shrouded in mist and communities settled by survivors of doomed kingdoms and sunken lands of yore.

Friday June 7, 2019

Trees, fields, pastoral countryside gleanings as fellow rail passengers sip their mimosas and cackle and carp above cans of Diet Coke. The current flat is an improvement over the former — many-windowed, all mod cons, like the observation deck of a starship — but because of its location on a busy road, the raucous sounds of the urban core fill the space day and night. Let us go, then, on a vacation from our vacation. Due to my assigned seat here on the train to Cornwall, I find myself sharing in what Philip K. Dick called “the great secret,” or the knowledge that we are moving backward in time. A driver meets us at the station and takes us along winding narrow hedgerow-lined roads to the wild and windy coast.

Thursday June 6, 2019

“We’re transforming Old Street,” reads the sign affixed to the construction site, next to which stand a team of bobbies cuffing a bewildered homeless woman, her possessions in plastic bags at her side. I observe and take note from the upper level of a double-decker bus headed to the Viktor Wynd Museum of Curiosities, Fine Art & Natural History. My thoughts return to the woman throughout the afternoon, part of her lingering in my awareness as I view paintings and illustrations by Mervyn Peake and Austin Osman Spare. Apart from Éliphas Lévi and a small Fabian contingent that included H.G. Wells and George Bernard Shaw, the figures I’ve been reading about at the British Library seem to have left these stones unturned.

Tuesday June 4, 2019

The day begins with comrades and I busing down to Trafalgar Square, where thousands gather to protest the president, picket signs in hand. Elated by this show of force, I settle in afterwards at the British Library for another round of research. Objects of study include a full run of Gandalf’s Garden and books by Ithell Colquhoun. Dare I share here the fruits of this research, or shall I exercise discretion, assuming that the terms of my use of this material will be made manifest in the days ahead? “All in due time,” I decide over a bowl of Spicy Tonkotsu. “All in due time.”