I admire the lyrical persona who sings raw and afloat amidst lonely journeys westward. That was a story some imagined community used to tell itself. The nation imagines itself through its heroes. When these heroes hail us, we become sutured, stitched up in selves until, with desire for change, the cycle begins anew. What would it take to make the imagination over again into a genuine threat to capitalist reproduction? Isn’t that what we’re getting at: selves who, like Melville’s Bartleby, would prefer not to? I’m so far gone, thinking up here. Reality refracting into inward-regressing, multi-dimensional nested sinkholes. It gets messy. A small giggling reverbed spazz-voice floating in the void of a recording studio soundboard. New aesthetics rupture into the realm of the known all the time: just look at Netflix Original Neo Yokio. Bored prep school anime existentialist tells his robot bodyguard / handler, “I’m simply too blue for lunch.” The future is an interminable pool of wackness, he says, thus provoking the wrath of bank fees and debt collectors. Poor Bartleby. No more than a ghostly riddle, an exception-state — a martyr whose death would surely have gone unmourned, were it not for the intervention of Melville’s narrator. Invisible forces tug at the edges of a branded, logo-covered object-world. May a great wind sweep down and lay waste to the Empire and its effects. Following up on a recent recommendation from a friend, I spent my commute yesterday to and from work listening to a special episode of The Discourse Collective podcast titled “Psychedelic Politics.”
As much as it pleases me to witness LSD’s rising fortunes again among certain folks on the Left, hippie-phobic, 60s-bashing podcasts like this one illustrate the persistence in our time of some profound misunderstandings about the past. On the whole, a disheartening experience. But also a reminder: it’s time to correct some of these misunderstandings. If I don’t write “Notes Toward a Theory of Psychedelic Utopianism,” who will?