The title of Ishmael Reed and Al Young’s anthology Yardbird Lives! jumps out, meets me, sits with me on the page. It’s a utopian exclamation, analogous in sentiment to Octavia Butler’s “Earthseed,” the science-fictional revealed religion in her Parable novels. I think, too, of Hummingbird and Green Fly’s adventures “in time immemorial” in Leslie Marmon Silko’s novel Ceremony. Read beside “Earthseed,” the others seem like allegories of space travel. Reed runs his Afrofuturism in a way similar to Sun Ra. Time and space travel are returned from Western futurity to their home in Ancient Egypt. In Silko’s Laguna Pueblo cosmology, travel involves movement among “the world of the people” and “worlds below.” In Frederick Douglass, we encounter a similar narrative of flight, do we not? Leaving behind the Garden-that-is-in-fact-a-Slave-Plantation, Douglass travels to another world. With Gary Snyder, meanwhile, the focus is on saving this world, the continent and world of Turtle Island, or what Snyder in another of his books calls Earth House Hold.