What are we to make of Tommy Orange’s There There, with its story of a Powwow interrupted by violence? Why is that the event where the book’s interlinked narratives connect? Orange is a member of the Cheyenne and Arapaho Tribes of Oklahoma, as is his character Dene Oxendene, a young documentary filmmaker collecting stories from Native people in his hometown. Dene is thus a version of Orange himself, allowing the novelist to comment metafictionally about the politics of representing one’s community, particularly when one is a member of an oppressed people. Can the one allow the many to speak? Can the many speak through the one?
A short walk and a phone call to wish a nephew happy birthday: things I do over the course of the afternoon. Earlier in the day I rescued my mother-in-law’s earring. The day has been a chilly one — though sunny now after a morning of rain. The day’s walk is a time to range about, thinking about life on reservations. My familiarity with Native American literature, however, is shamefully quite limited. Time to change that. Use the year ahead, I tell myself, as an opportunity to pursue what Fred Moten calls “fugitive study.” But also remain present, centered, exchanging greetings and conversation with members of the community. Note development across time of stories, forms, archetypes, mythopoetic patterns. Parallel compute across multiple modes.