Early on in the semester ahead, we’ll need to discuss magic, positing the latter as a paralogical retort to the patriarchal Royal Society and its imperial science. Also a coping strategy, a response to lives disrupted by war, authors displaced and dispossessed, as in the case of Cavendish. Magic is a way of knowing and doing that persists and evolves alongside the New Science, refusing and contesting the latter’s bid for supremacy. Tolkien takes up much the same cause in his poem “Mythopoeia,” written following a discussion with C.S. Lewis and Hugo Dyson. In the course of this famed discussion, Lewis is said to have denounced myths, describing the latter as “lies breathed through silver.” Tolkien’s poem replies in character, its words spoken by “Philomythos” (or “myth-lover”) to Lewis’s “Misomythos” (or “myth-hater”). Tolkien composed the poem in heroic couplets, the preferred meter of British Enlightenment poets, so as to critique the latter on its own turf.