Sarah and I discuss the name thing. The act seems weighted with all kinds of symbolism. It’s a commitment to a different future. Taking the mother’s father’s last name while with the first name honoring matrilineal roots on the father’s mother’s side of the family. What does it mean to relinquish a given name? It’s not like I have to become Mr. Mom or anything. Should I rewatch that movie and report back from Michael Keaton’s 1983? Should I shift into third-person? Or is that the same as reducing oneself to another’s shadow? Does the Author worry he’ll be rendered anonymous? Author as ego-dissolved invisibile man? But I do wish to practice poesis, don’t I? Are those things related? Is the poet one who, operating on language, practices a kind of wizardly freedom, not legislating so much as renaming certain things anew? Hard to say. But of the names, whichever we go with is the one that sounds best.
A Monarch explores blooms of ivy beside me, some of the latter grown up the side of a tree, with bees, too, attending to its nectars. Sarah and I received word today that we’ll have to move within months of the arrival of our child. It will be an in-town move, however — and while moves for us are difficult, not least because of my masses of books and records, our hope is that out of this will come purchase of a home, whereas before we’ve always rented. The hope, too, is that the home will be a place where we can grow a garden and assemble an herbarium. Birds come over and sing to me. The butterfly folds its wings, and in shadow, as if camouflaged, disappears in the ivy, before flapping open, the ivy leaf transfigured, hosting in its place beings of vast beauty, elegance, and intelligence. Our minds begin to play with a name, one we share with others. It’s the name of my mother’s maternal grandmother; in its history, it’s associated with patronage of animals and nature; musically, it evokes a flowering cosmos.