She’s growing quickly. She’s active, inquisitive, communicative, discerning. We hang out. We go for walks. We return home to home cooking and mother’s breast. The household looms large around the edges of each day. I come home from walks eyes heavy with pollen. Allergy season. I’m interested to see what students do with this week’s readings: texts by Abbie Hoffman and John Sinclair. I dig in and learn about Abbie’s friendship with Allen Ginsberg. The two writers admired each other’s work. Ginsberg influenced Yippie politics and Hoffman’s brand of revolutionary political theater through a piece he wrote called “Demonstration or Spectacle as Example, As Communication.” (Abbie’s archives are available, by the way, at University of Texas at Austin.)
A geodesic dome hangs from the double arched ceiling of the vibrant village. A child reaches up and grabs it, takes hold. The arches of the ceiling bounce gently each time she pulls. That was a few days ago. Today it’s azaleas, cottonwoods, dogwoods out and about, about to open up, baby laughing, all of us laughing: “She’s a beauty!” Spring is everywhere, profuse. Dandelions, clovers. Thick green moss. Amazing diffuse diverse sprouts of life.
Out of dictated necessity one opens portals into alternative realms of possibility. The Way of Life According to Lao Tzu calls out to me, appears to me a book worth reading — though I await a translation that speaks to me as do birds with their songs. F. is now three months old and the world, the totality — it “adjusts” and we adjust with it, hoping through acts of care to re-establish right relations with others.
We bounce, you and I, you draped Sphinx-like across my chest, beside books like The Streams of Consciousness and Expanding Dimensions of Consciousness. I think about the career of Ray “Raghunath” Cappo: from lead singer of NY straightedge hardcore band Youth of Today to yoga teacher, jiu-jitsu fighter, and Hare Krishna monk. Ray’s lyrics for Youth of Today connected with me for a time as a teen. Some projection, I suppose, of a path I sought. Tough-guy jock masculinity refashioned via Eastern spirituality. Whereas nowadays I prefer to listen to “Hallogallo” by NEU!
Kerouac built his fictions by spontaneously traveling, interacting, playing, and living amid his circle of friends. I join Sarah to help bathe our daughter for the moment of enjoyment and calm each night known as Bath Time. An embryonic journey followed by reenactment of birth. F. cries a bit afterwards upon exit from the bath, until dry in her terry-cloth robe and her pajamas, relaxing off to sleep. Life is a bit “multi-modal” at the moment, attention spread across a plurality of events and tasks. Do Make Say Think. The daily patterned by its many persons. Sarah has been solid and loving and supportive through all of it, pep talking, building me up buttercup, lifting my spirit when I’m down.
Announce “Bath Time!” and we roll into motion, baby calms down, extends her legs, toes eager to catch water sprinkled over her, squeezed from a wet hand-cloth.
Arrived home from work, I go for a short walk around my neighborhood and stare up at trees full of red-chested robins. More than a dozen robins at varying heights above my head. They talk: I listen. Rustles of leaves and feathers, cheery tweets, blissful songs. Beatitudes performed for me, or at least tolerant of my listening. Performed first by the birds and then afterwards electronically, by a car that pulls up beside a park, bass sounds reverberating outward even with the car’s windows rolled up. That’s what I like, something suburbs often lack: neighborhoods with music (especially when the latter is of a spontaneous or locally improvised sort). When I return home, I sit and hold her, marveling and rejoicing, struck with a sense of beatitude as I behold my daughter. One day I wish to read Windblown World: The Journals of Jack Kerouac 1947-1954. “I promise I shall never give up, and that I’ll die yelling and laughing,” Kerouac wrote in an entry in the book from 1949. “And that until then I’ll rush around this world I insist is holy and pull at everyone’s lapel and make them confess to me and to all.” Always and forever I’m filled with the awareness of countless books unread. From Kerouac to Dostoevsky’s The Brothers Karamazov to Look Homeward, Angel by Thomas Wolfe.
I sit in my living room admiring this beautiful, brand new human who, according to a scale, has already grown a whole pound larger since last her pediatrician weighed her. By afternoon the sun has moved us outdoors. I honor mothers and mammalian and marsupial kin by carrying her in a front-facing pouch as I stroll through the neighborhood, talking with Sarah about a Nick Estes book that we’re reading together: a history of Indigenous resistance called Our History Is The Future. As readers we find ourselves wondering: How do we join the resistance to settler-colonialism so as to lessen the latter’s hold on lands, peoples, and nations? Perhaps I can begin by rethinking Hippie Modernist art, literature, and culture in light of Indigenous resistance movements of the 60s and 70s like Red Power and AIM. Rewatch counterculture westerns, movies like McCabe & Mrs. Miller, Little Big Man, and Midnight Cowboy. Watch, too, as F. lies on a couch listening to songs from Jeremy Steig’s Howlin’ for Judy, Karen Dalton’s “Reason to Believe,” Amen Dunes’s “Lonely Richard,” and Jessica Pratt’s “Moon Dude.”
Of course it wasn’t that simple. The labor dragged on for days, with Sarah needing an emergency c-section. There were troubles breastfeeding. The baby needed her frenulum clipped. But she’s here! F. is here! And already she’s the love of our lives.
Sarah endures days of contractions, pain shooting around inside her — muscular, interior, burning, grinding, all at once — until the hospital staff turns over at 7:00am and a new doctor-and-nurse team administer an epidural, after which Sarah experiences intense relief. From then onward, all is mostly smooth sailing, at least compared to the night prior. Amplified via monitor, the baby’s heart rate soundtracks our wait (how weird to sit there listening to our daughter swim!) as we watch monster contractions graphed as vertical spikes on a screen. Reflecting afterwards, under the influence of the epidural, on the discrepancy between her expectations going into the labor and the sheer pain of it: “That is not,” Sarah says, “how I imagined it at all.” A loud echo reverberates through the delivery room. Thinking of the baby as the sound’s origin, J. replies, “I imagine her pushing off the side of a wall, as when one is swimming in a pool.” As Sarah continues to dilate, the three of us watch calming footage of sea turtles swimming in the deep. As for me, I picture the baby as an angry Al Pacino, fist in the air, shouting “Attica! Attica!” as in Dog Day Afternoon. And then, without further ado, she arrives in all her glory.