Strolling through Hampstead Heath wondering about the differences between heaths and moors (my knowledge of the latter drawn largely from Sir Arthur Conan Doyle’s descriptions of them in the third of his Sherlock Holmes novels, The Hound of the Baskervilles), I observe dogs and magpies exploring hills of grass and gorse. A raven issues two sharp calls from a branch above the path. From there it’s just a short walk to Highgate Cemetery and the Tomb of Karl Marx, where I place a small stone worn smooth by time atop the headstone as a kind of offering. The Social Darwinist philosopher Herbert Spencer, who coined the phrase “survival of the fittest,” lies buried just a few feet away from Marx, the two thinkers locked in permanent struggle on the far side of the River Lethe. But no one treks hundreds of miles to leave flowers and light votive candles in honor of shitbags like Spencer. Anticommunists may have dubbed Marx “the God that Failed” during the early days of the Cold War, but like the spectre invoked in the opening lines of The Communist Manifesto, Marx remains an active presence here in the 21st century — a patron saint of the planet’s dispossessed and prophet of the world to come.
Revive the phenomenological category of the “lifeworld.” Review its history and weave it into the act of sitting, being-with-nature, the appearance of a pair of cardinals, lovers chirping, flitting from branch to branch amid a grove of trees. How can we best experience the sense of life as it unfolds into consciousness? Sarah steps around the corner, visits me to talk about pens beside a burst of pink flowers. Think of this, and of the cardinals, too, as signs of grace — sunlight through trees, enlightening signals of love and goodwill. The goal, as always, is to formulate a vision of wellbeing more compelling than the neoliberal “eudaimonic” subject. Perhaps I should read the work of Mexican philosopher Jorge Portilla, one of the so-called hiperiones, a group that also included Emilio Uranga. Time to school myself in Latin American philosophy, so as to better understand the interventions of El grupo Hiperión. With the arrival into the lifeworld of the Other (an arrival that has always-already occurred except in myth), the lifeworld divides into “homeworld” and “alienworld.” And this process of division continues indefinitely, with the proliferation of the Other into multiple Others leading to the reconstitution of the arrivant’s lifeworld into an interface with an ever-changing multiverse. Countless leaves, branches, insects, birds — being transforming day by day. The past, persisting for potential reactivation by consciousness, allows the latter to travel among worlds, entering and exiting identities as in a dream.
I relax my thoughts and lean back. A large bumblebee draws circles in the sky: hints of other suns, other worlds. Leaves flutter in the wind.
A bird sings to me, other birds and I chuckling in reply. This bird is a dear friend. I admire him for his zest and energy, his cheer, his radical tenderness, his sense of humor, his positive energy, his knowledge born — well, you get the picture. This friend inspires me. Perhaps I can dedicate myself to the craft of fiction. Sarah waves the crackers toward me: “More?” “I would keep eating them,” I answer, pulled in several directions at once. I must build a problem and then use the act of writing to solve it, as if I were opening a box filled with Easter candy.
I take my seat at the table, a wooden one outdoors. Birds chirp and sing. In the distance, a neighbor mows his lawn. I picture a church with flapping wings, but with eyes reopened I spy a pair of cardinals. With these and the branches of a bush beside which I sit, I share a moment after a long day of work. Work, that is, for a system, an institution, a miserly master — so that, whether long or short, each day feels like a sentence served.
“Space is the Place” plays at a low volume, at the back (as opposed to front and center) of my thoughts, though in fact it’s one of the most bracing performances I’ve ever heard, while I reflect on my mixed feelings toward my discipline’s fondness for jargon.
Don’t get me wrong: I like it when my colleagues gather and talk texts. But I prefer birds whistling from treetops. Along with assists from the other elements of human and nonhuman nature, the evening orchestra performs its polyphonic improvisation — with me there to observe and to listen in surround sound in the hollow of a glade. Through these acts we teach each other. As we pull together, we expand each other’s capacity to sympathize and finally to love. I am describing an effort to bring about a fundamental change in “reality” itself, which is to say, in ideology.
Around 2:30 in the afternoon, I place a tab beneath my tongue, breathe deeply, and prepare for my adventure. Initial stirrings include a flutter in my stomach, warmth behind my ears. Intimations of an as-yet-unnameable source of wonder. I putter around a bit before finding my way outdoors. Autumn leaves flutter in the air as neighborhood dogs yip and woof. Squirrels gather in the trees. “My dear friend,” I whisper invitingly as one hustles toward me. It coos lovingly back and forth with a partner. Moment by moment, the beauty of this world is staggering. With each breath I take, I feel a tremendous ball of laughter welling up inside me. ‘Tis a divine joy, this flickering of sunlight on my eyelids. Slight giddiness, one’s entire nervous system aglow with energy. Amen Dunes soundtracks a restful, languorous moment with their “Ethio Song.”
Above me, flickering, fanning sensations, mushrooms welling up beneath me, offering themselves oh-so-tenderly and ceremoniously as a bed on which to rest. Sarah and I dance and touch tips, tendrils entwined. Much of the experience, in its directness and immediacy, is too glorious to squander, too lavish for words. Humming, giggling, the body does its thing, tests its sensory manifold, expands, grows outward, despite hardship and adversity — this thing is bigger, quivering, bursting, love everywhere triumphant. Let us know ourselves as this life impulse, this spirit of generativity and generosity. Time for all things — for all things there is a season. Sun and moon shed light on all, each yeasty striving, each humble beginning, budding gods and goddesses. Each and every one a universal plentiful complete cosmic plenipotentiary, spreading the good word of being. Climbing up or down from that perch, wherever one may be, allow oneself time to pause, look, take comfort. Recognize in each moment the crown and dignity of being. As we situate, as we gather and take stock, let us body forth this love toward one and all.