A hero, and by that I mean a utopian, a eudaimonic individual, wouldn’t begin a level by making what in retrospect seems the mistake of carrying a soda to the zoo rather than a water. This figure would know better how to navigate the horns of the dilemma, or would exist beyond the contradiction as such. Why must the denatured proletarian subject’s desire to encounter a broad diversity of lifeforms terminate in the tragedy of captivity? The zoo is set up so that visitors, upon purchasing admission, donate a plastic token to the Sawfish Conservation Society and similar such organizations. I spend most of my afternoon in the zoo’s aquarium. Angelic stingrays, sharks, a moray eel. A father asks his young daughter, of the shark: “Is he happy, or is he sad?” The daughter says, with mounting resolve, “I think he’s happy.” I fuse minds with a pair of garden eels and several glowing purple jellyfish. I bear witness to the travails of a tank containing pregnant male seahorses. A giant pacific octopus swims near and reaches toward me with its tentacles. Pessimism of the intellect, optimism of the will.
Cats are higher-dimensional beings who come and go as they please. The ones featured in the movie Kedi are like people, only nobler. Humans in Istanbul have developed a collective co-evolutionary dialogue with an alien species. Whereas my own country prefers to destroy all that is wild and free. We fail still to realize that interacting with people is not enough. We have our parks, our birds, our wildlife, certainly, but from them we extract cruel ideologies of territoriality, manifest destiny, kill or be killed. From Huxley, I’m led down a rabbit hole, the rabbit at the bottom (in a sense, my destination) being none other than Thomas Carlyle and his parody of German Idealism, the 1836 novel Sartor Resartus. While monstrous in many ways (as the author, for instance, of the dismal essay “Occasional Discourse on the Negro Question”), Carlyle nevertheless remains an author whose work intrigues me. Book tucked into my knapsack, I fix my gaze on the trail ahead. Somewhere in the distance stands Mdou Moctar, a singer-songwriter from Niger who plays Tuareg rock.
Tinariwen came to mind as I watched Moctar perform last night at a nearby bar in town. Dead arcade cabinets lined the walls, where in other times might have stood taxidermied bears and ancient suits of armor. I regard hunters and warriors, with their camouflage and their automatic weapons, as the most repulsive members of my species. All would be well but for them. That show last night, though: that was quite an experience! Hypnotic, like waves of heat at the point where a desert highway meets the horizon. We must charm the snake that has taken residence in the heart of the Western subject. Filling out the bill were Brooklyn’s premiere California Raisin snake charmers, Drunken Foreigner Band.
What can I say? A few days out from fall break, and already the world is conspiring to lift my spirits and/or get me high! I’ll take it.