Set-pieces shift, the life-world around one rearranging in turn-based “moves” day by day, until a pathway materializes, the horizon opening to admit a hopeful future. In the meantime, we practice. That is the Way.
I sit beside Sarah at a town pool, the two of us drying in the air after a swim. A small green insect lands on my leg. We consider each other for a few moments, each one absorbing the other’s fear, processing it internally, transmuting it, releasing it back as love. I’m reminded of Maslow’s claim that each of us contains two sets of forces. “One set,” he writes, “clings to safety and defensiveness out of fear, tending to regress backward, hanging on to the past, afraid to grow away from the primitive communication with the mother’s uterus and breast, afraid to take chances, afraid to jeopardize what [one] already has, afraid of independence, freedom and separateness. The other set of forces impels [us] forward toward wholeness of Self and uniqueness of Self, toward full functioning of all [one’s] capacities, toward confidence in the face of the external world at the same time that [one] can accept [one’s] deepest, real, unconscious Self” (Toward a Psychology of Being, p. 46). Pool days are delightful. Look at us, sun-soaked, unfolding outward, discovering new capacities, refining old ones, becoming. The metamorphosis has begun.
I sometimes sort among aporia: irresolvable questions, internal debates, cosmological Rubik’s Cubes, beanstalks into clouds of abstraction. I feel pulled along sometimes, burdened by daily conditions and daily demands on my labor. Sometimes I think of it as “capitalism” — these conditions, my condition. How do we cheer ourselves? How do we transform the cognitive map into something enjoyable, something we can dance to, some sweaty tie-died daydream? By what games might we reinvent labor as play?