Stare at a downward-pointing stairwell long enough and mind will move matter. We masses will erupt from our seats and change our condition. Hit “play,” however, and the image stutters in uneven intervals. Patches of sunlight draw us outward. Another beautiful day. I smoke up in a nearby park and walk the perimeter of a lake. A way of forgetting the remaining workweek. Dead leaves — now fluttering, now sizzling — hang above me, in the wind, in the trees. Bicyclists whizz by like members of a different species. The city curves atop the underlying geography. A friend and I had speculated half in jest earlier about whether or not Ayn Rand owned pets — speculation inspired, no doubt, by the current tax bill. No way she could have cared for other creatures, we laughed — but apparently she fancied cats, and bragged that she could demonstrate “objectively” that cats have value. LOL. Her name turns up again, though, after the park. A middle-aged mohawked dude who I often see at Goodwill and who never fails to corner me and talk my ear off sidles over as he always does — this time announcing, however, that he’s looking for a copy of Atlas Shrugged. “Can’t help you with that,” I mutter, peering at the day’s findings. I leave the store afterwards bearing God Loves, Man Kills (an X-Men graphic novel from the 1980s that I remember reading as a kid), along with an early 2000s reissue of Norman Greenbaum’s Spirit in the Sky, and several volumes of Marxist theory.
Greenbaum’s title track earned its hit status by turning cheery Christian piety into a divine, bluesy, highway-speed, hand-clapping bit of fuzz-pop. The album’s other great charmer, “Jubilee,” succeeds with roughly the same formula. Time, it says, can be spread like butter. Any time, any time at all. Mind removes itself, quickens its pace. I imagine a round white “start” button like the ones featured on old arcade cabinets. When I press it, the dream begins, projecting outward the world as seen.