The MacGuffin

In due time, though, word circles back, arriving home again to the house on Shady. D. reflects upon the street name. “You know, when you said that,” he confides, “I remembered that L. lived there. Shady Blvd. She rented an apartment there during her first months in town, before she purchased her home.”

“Wow, how weird,” I reply, unable at first to contain my bewilderment. For L. is one of our colleagues. Could she, too, have been privy to the home’s mysteries? Sensing already in this discovery some hint of the unheimlich, I resolve then and there to investigate.

“I’ll have to ask her about it,” I tell him.

And ask I do.

L. and I meet that very evening, in fact, at a brewery. What I learn from her, however, dispels rather abruptly what I’d been led to believe by D.

“No, I never lived in that house. I never lived on Shady,” she replies when I press her about it. “But I suspect I know who does.”

Lunch at the Village Tavern

Colleagues and I sit atop stools at the bar at Village Tavern, the three of us eating lunch and warming to each other’s company toward the end of summer. Talk turns to the icebreaker-like theme of “horror movies we watched at far too young an age”: Poltergeist for me, for instance, at the age of five; The Shining, at a slightly older age, for D., who teaches a course on ghosts; and Scanners for I., a documentarian and professor of journalism.

Inspired, perhaps, by the example of Poltergeist, I sketch for them afterwards the story of “The House on Shady Blvd,” feeling as I do so like the Traveler from H.G. Wells’s novel The Time Machine. His was a similar tale, told with great verve over the course of two dinner parties.

“You must follow me carefully. I shall have to controvert one or two ideas that are almost universally accepted,” begins the Traveler.

“Is not that rather a large thing to expect us to begin upon?” asks a skeptic with red hair.

My eyes twinkling, my face well-tanned from my time in the sun, I expound this admittedly odd and recondite matter of mine in as plausible a manner as I can muster. Contingency pauses me, however, midway in my telling. Sensing through the cloth of my pocket the buzz of my phone against my hip, I beg pardon of my companions, step outdoors for a moment, and take a call from the office of my oral surgeon. ‘Tis the “pre-interview,” says the woman on the other end, for my upcoming wisdom-tooth extraction. Call complete, I return to my companions, whereupon I compare the event jokingly to the one that prompted Philip K. Dick’s weird VALIS experience in the 1970s.

Mood thus lightened, the conversation leaps to life, undergoes a shift in quality, becomes a full, robust, multi-directional exchange.

The Werehouse

Thanks to Frank, I found my way down there mere days after my arrival to town. What a space! It was like a T.A.Z. torn in time, a liberated territory poking through the city’s capitalist-realist façade.

To make it viable economically, artists living above had opened a coffee shop below. I remember the latter as a funky, spacious, cavernous place — a fun place to plot. And their annual Halloween parties were instant things of legend. Members of local bands would partner up with one another each year and play in one-off cover bands, performing in costume as famous indie bands of the past (Pretenders, Modern Lovers, Cramps, and the like). And the remarkable thing was, heads came out in droves: hundreds of us in costume, dancing, drinking, smoking our way toward dawn.

How I wish it was still there! Which is to say: How I wish we were there, you and I. If my Time Machine works, we’ll go there — ‘tis a promise. But not today. Today’s is the story not of the Werehouse, but of the home on Shady Boulevard.