Cosmic Coincidence Control Center

CCCC is an agency encountered or imagined by legendary scientist-psychonaut John Lilly. The latter claimed the group reached out to him in the early to mid 1970s through its local affiliate, the Earth Coincidence Control Office, or ECCO, while Lilly was studying dolphins and conducting experiments involving combinations of LSD, ketamine, and sensory deprivation tanks at his marine research lab, the Communications Research Institute, on St. Thomas in the Virgin Islands. Erik Davis writes of Lilly’s odd experiences from this period in his book High Weirdness. Lilly wanted to communicate with dolphins, and Margaret Mead’s ex-husband Gregory Bateson assisted with funding. Lilly writes of his encounter with ECCO in his 1978 memoir The Scientist. His ideas informed the 1973 science fiction thriller The Day of the Dolphin starting George C. Scott, as well as the 1992 Sega Genesis videogame Ecco the Dolphin. Lilly also served as the basis for Dr. Edward Jessup, the mad professor character in the 1980 film Altered States. My sense of him follows a trajectory the exact opposite of Jessup’s: Lilly was a villain of sorts only in his early years. His research of the 1950s, funded by the military, was what we might call “MK-Ultra”-adjacent. Despicable acts like sticking wires into the brains of monkeys in the name of science. Yet Lilly rebelled, acquired a conscience, became a free radical of sorts. With commencement of his self-experimentation with psychedelics, Lilly transforms, becomes a rabbit hole of immense strangeness from the 1960s onward. Stewart Brand’s Whole Earth Catalog promoted Lilly’s books, especially Programming and Metaprogramming in the Human Biocomputer. A 1972 paperback edition of the latter features Brand calling it “The best internal guidebook I’ve ever seen—far more practical and generalized than transcendent Eastern writings or wishful Underground notes….It makes an open start on fresh language and powerful technique for the frontier.” By the latter, Brand means what? Some sort of moving boundary or threshold state, I guess, where through self-experiment with tools, subjects grow new organs.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

%d bloggers like this: