My morning reading practice leads me to reflect upon terma, various forms of hidden teachings or “treasure texts” key to Vajrayana or Tibetan Buddhism. According to these traditions, certain forms of knowledge can be and have been hidden away by esoteric means. The idea, however, is that these occulted bodies of knowledge don’t simply disappear from history in any permanent sense. Think of them, rather, as texts temporarily buried from view, locked away in underground vaults or the depths of some sort of transhistorical collective unconscious, so as to be rediscovered at auspicious times by future generations of adepts known as “tertöns.” According to scholars, there are at least two kinds of terma: earth-treasures and mind-treasures. Earth-treasures manifest externally as texts, images, ritual instruments, and medicines, whereas mind-treasures appear (or “undergo deconcealment”) directly within the mind of the adept, as in mindstream transmission from a guru to a practitioner.
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Thursday August 1, 2019
Wise ones suggest that messages from beyond, furtive communications from a higher consciousness, are to be gleaned from their point of entry amid the trash strata of capitalist-realist everyday life. To perform this gleaning of meaning, we peer into the apparently random assemblages of this strata (in my case, the blue bins of a nearby Goodwill outlet, the blue skies of my locality), peering bemusedly at emergent patterns, teacherly anomalies, portals into novel domains. This is where Cosmos and Psyche manifest as acts of love. Today, for instance, the bins supply me with Pookah, a self-titled LP by a psychedelic, early prog group from 1969, as well as the debut LP by The Firesign Theater from two years prior. Weird stuff, for sure — some of it quite trippy, like Pookah’s “In a Field.” It’s also a bit scary at times — so when a bird arrives outside my window, I go out and follow it, a path disclosing itself as I walk. Before long, however, the path loops back and leads home again, where Sarah joins the quest. The two of us share reports of life’s bounty as we pass a garden hosting swallowtails and enormous drunken bumblebees, one of the latter conjuring in my mind a cartoon-rendered hippie van or microbus, a yellow one resembling the Mystery Machine from Scooby-Doo, bopping along, rubbery wheels bulging as it buzzes by.
Wednesday July 31, 2019
Among the patterns swirled into the stucco ceiling of my office appears the face of a small terrier — happy, excited to be here. In it I sense a correspondence. A cat has also taken to visiting Sarah and I on our back deck, a grey one with black stripes, dozing in a chair midday. Butterflies have come to visit as well — beautiful swallowtails, and out on the sidewalk, a “red-spotted purple” with blue stripes and orange dots on its wings. A white plastic tape dispenser on top of my file cabinet resembles a white whale. The world appears blessed with a multitude of entities and beings. And much the same is true here in the home. Sarah and I are expecting a daughter. From the two of us has come a third. Thus begins our life together as a family. With great respect and reverence, ears attuned to our many co-creating friends and neighbors, we set out on our way.
Tuesday July 30, 2019
Neighborhood cats greet me as I pull up in front of my home upon my return from Des Moines. We exchange hellos, after which point the cats go back to lounging on their sides. Settling onto a couch, bags only partly unpacked, I begin to think again about these trance-scripts. The best I can say about their origins and effects, I tell myself, is that through them I seem to be speaking to myself across time. And yet, in saying that, I find myself immediately wanting to add, I don’t just mean I write so as to be read by myself in the future. That much is obvious. What I mean, rather, is that some future version of myself is the one seeding these trance-scripts, communicating backwards, bootstrapping itself into being. I grant the paradoxical, seemingly impossible nature of that claim — but paradox or not, it remains to my mind the hypothesis that comes nearest to truth, and that thus best approximates my condition.
Monday July 29, 2019
Morning meditation on a friend’s screened front porch eases me into a relaxed day in Des Moines. Tufts of prairie grass bend with the breeze as I read about “Holacracy-powered organizations” and muse about the future. Thoughts sour a bit as I scratch and sniff a scam. But these are small things, minor perturbations, and before long, word arrives of Divine Rascal, a new biography about Michael Hollingshead available for pre-order from MIT / Strange Attractor Press. Entities move about around and behind me, opening and closing doors. Let us call them “neighbors,” a term generous enough to include many orders of being.
Sunday July 28, 2019
Reading High Weirdness is a bit like reading Dante’s Inferno. Davis performs admirably as the book’s Virgil, poking around amid radioactive embers while touring readers through the literary remains of various occult ground zeroes and psychedelic Superfund sites of the 1970s. Like the weird fictions it analyzes, the book activates one’s internal Geiger counter. Readers are warned at the outset to proceed with caution — and rightly so, as what follows provides cause for both awe and dread. I can think of no other book that resonates so readily with the opportunities and perplexities of our moment.
Thursday July 25, 2019
Checking in with myself, I find little to report, monkey-mind at a standstill. Travel seems to have knocked the wind out of me.
Tuesday July 23, 2019
An airline attendant repeats instructions through a loudspeaker as I sit at a gate waiting to board a flight to Des Moines. Fellow travelers stare at phones and tablets, the seats that fill the space around them arranged in rows. My desire to be elsewhere, I tell myself, binds me ever more tightly to this pleasureless condition.
Monday July 22, 2019
What does it mean to become mindful of a practice? Take my use of language in combination with my use of cannabis. What enters my awareness, what happens to my consciousness (and is there even still an “I” to whom these properties belong), once I’ve allied myself with a plant? Does becoming mindful mean observing language use, moving recursively through the parts of sentences, sounding them out, testing their properties, aligning them into sequences that please an inner judge? Does it mean editing in accordance with a previously taken-for-granted Reason, or Substance, or Preestablished Essence? Is this latter equivalent to what the ancients used to call Logos? And where does the “I” sit in all of this? Does choice of words have an impact on Being? Is the metabolism that emerges from this impact a healthy one? Let us relinquish the question-form and see. A kind of “angel” arrives here speaking to me from the pages of a book. It claims to be a messenger—though what it wishes to share with me, it says, is not information so much as a “language of transformation” — words “capable of renewing those to whom they are addressed” (Latour, as quoted in High Weirdness, p. 156). Earlier in the day, a friend posted a favorite passage of his from Frank Herbert’s Dune — a “Litany Against Fear” that seems apropos given the tightrope I walk. “I must not fear,” says the novel’s hero Paul Atreides. “Fear is the mind-killer. Fear is the little-death that brings total obliteration. I will face my fear. I will permit it to pass over me and through me. And when it has gone past I will turn the inner eye to see its path. Where the fear has gone there will be nothing. Only I will remain.” This passage seems to favor action — but some fears are warranted, I tell myself. Afterwards I catch myself humming “Knock Three Times,” a hit song released in 1970 by Tony Orlando and Dawn. The unprompted strangeness of this song, the way it rose to mind without any clear catalyst, causes me to reflect for a moment on its lyrics. Noting a correspondence, I decide against a second hit.
Sunday July 21, 2019
Sarah shows me how to put the lime in the coconut. Life is what we make of it, she reminds me, and from then on, the good times roll. I sit up, I pay attention, I build and traverse new pathways. Observe the way light falls across furniture. A new person is soon to enter the story. Let us fill our homes with loving-kindness — and don’t worry so much, I tell myself, for as Maggie Nelson observes at the start of The Argonauts, “nothing you say can fuck up the space for God.” I don’t think everything can be thought, and most of what I consider important can’t be put into words. The latter have effect, to be sure, but they’re spoken by Being, not by some small willing part of it. I’m not even sure of the authority of Nelson’s pronouncement. But I prefer to read generously, trusting what she calls “the inexpressible…contained — inexpressibly! — in the expressed.”