Each day we invent new terms of affection for her: Buddha nugget, snuggle bunny, astral glow worm. We march through the neighborhood en masse, forming spontaneously around ourselves a people’s patrol. I picture as our avatars the toughs from Double Dragon. Afterwards I stand outdoors reading Thoreau on wild fruits. I take breaks and dip into Sherry L. Smith’s Hippies, Indians & the Fight for Red Power, a book that references an angry 1978 review-essay by Leslie Marmon Silko accusing Gary Snyder of “cultural imperialism.” Snyder’s book Turtle Island won the Pulitzer Prize for Poetry in 1975. It’s a book I wish to teach alongside the Silko essay the next time I teach American Literature.
Arrived home from work, I go for a short walk around my neighborhood and stare up at trees full of red-chested robins. More than a dozen robins at varying heights above my head. They talk: I listen. Rustles of leaves and feathers, cheery tweets, blissful songs. Beatitudes performed for me, or at least tolerant of my listening. Performed first by the birds and then afterwards electronically, by a car that pulls up beside a park, bass sounds reverberating outward even with the car’s windows rolled up. That’s what I like, something suburbs often lack: neighborhoods with music (especially when the latter is of a spontaneous or locally improvised sort). When I return home, I sit and hold her, marveling and rejoicing, struck with a sense of beatitude as I behold my daughter. One day I wish to read Windblown World: The Journals of Jack Kerouac 1947-1954. “I promise I shall never give up, and that I’ll die yelling and laughing,” Kerouac wrote in an entry in the book from 1949. “And that until then I’ll rush around this world I insist is holy and pull at everyone’s lapel and make them confess to me and to all.” Always and forever I’m filled with the awareness of countless books unread. From Kerouac to Dostoevsky’s The Brothers Karamazov to Look Homeward, Angel by Thomas Wolfe.
The backs of my hands above my knuckles are chapped from the cool winter air, so I apply lotion. Can self-care of that sort act by law of correspondence upon the circle, the cosmos, the whole? Is that what was meant by books like Getting It Together and Centering? Is that what M.C. Richards sought at Black Mountain College? How does one “center”? Can it mean gifting oneself and the others with which one lives one’s attention and love through dance and play? I picture myself and my daughter as Luke and Yoda, the one carrying the other. Time to teach, time to practice pedagogy, each teaching each. I imagine my Moby as the garb of a Jedi. What do I say to F. to help her find her way? Perhaps I should read aloud to her the passage from Walt Whitman’s Democratic Vistas quoted at the start of Allen Ginsberg’s The Fall of America. Show her the “half-hid warp,” the threads of friendship, intense and loving comradeship, the milk of human kindness. Read Ginsberg’s “Beginning of a Poem of These States” in light of the Black Snake or Zuzeca Sapa prophecy of the Oceti Sakowin. Note for the sake of remembrance via time capsule the lovely sounds F. makes at four weeks of age (or there about) while breastfeeding: lip-smacking exhalations, small gasps of pleasure, relieved sighs.
I sit in my living room admiring this beautiful, brand new human who, according to a scale, has already grown a whole pound larger since last her pediatrician weighed her. By afternoon the sun has moved us outdoors. I honor mothers and mammalian and marsupial kin by carrying her in a front-facing pouch as I stroll through the neighborhood, talking with Sarah about a Nick Estes book that we’re reading together: a history of Indigenous resistance called Our History Is The Future. As readers we find ourselves wondering: How do we join the resistance to settler-colonialism so as to lessen the latter’s hold on lands, peoples, and nations? Perhaps I can begin by rethinking Hippie Modernist art, literature, and culture in light of Indigenous resistance movements of the 60s and 70s like Red Power and AIM. Rewatch counterculture westerns, movies like McCabe & Mrs. Miller, Little Big Man, and Midnight Cowboy. Watch, too, as F. lies on a couch listening to songs from Jeremy Steig’s Howlin’ for Judy, Karen Dalton’s “Reason to Believe,” Amen Dunes’s “Lonely Richard,” and Jessica Pratt’s “Moon Dude.”
For the past few days, I’ve felt an urge to “do things around the house” after smoking. This is somewhat out of character for me. I’m not a “messy” person, per se — at least not in a way that ever bothered me. But I’ve over-corrected, maybe, steered closer to messy than was necessary. It’s long been known among my family and siblings that my father is a bit of a “clean” freak, cleaning his house daily as if by ritual. As a teenager, this ritual seemed to be an absurd or at least wildly exasperating “event” always going on around me — and never with any tasks that I could perform sufficiently, in light of his exacting, idiosyncratic standards. We used to get in each other’s way a bit as a result. I’d be watching TV with friends after school and he’d force us all out of the room so he could vacuum. Once I moved out and we were no longer living under the same roof, we were able to laugh and joke about it. But when I was a teenager, it drove me nuts. A friend’s parents had a sign hanging in the living room of their home stating, “A clean house is a sign of a life misspent.” Something of that sentiment was agreed to by Sarah and I, and as a modus operandi, it’s worked well for us. As I prepare to become a father myself, however, I find myself asking the old questions anew.