Do we, sounding out notes, sing for each other? We do. We sing, we write, we whistle. Sarah has arranged plants and wooden animal sculptures delightfully, shrine-like, atop a bookcase that runs beneath our front window, in the midst of which hangs a triangular shard of stained glass. I sit before it and gaze upward, through the triangle of colored light, into the sky — the “up above.” Children of my time grew up admiring skywalkers and jedi warriors, as do children of today. These figures are some of our earliest heroes. Interplanetary travel of the sort imagined by the Star Wars films provided a hopeful vision of technology’s past and future. Counter to it stood the abduction scenario of Poltergeist. With those famous spell-like opening words, “A long time ago in a galaxy far, far away,” Star Wars opens a portal to the myth-space of the ancient future past. Worlds are places we visit in starships. There’s the danger of Empire — the galaxy’s thanatopic death-drive — but we can fight it by joining the Rebel Alliance. Heroes are abducted from their home planet, swept up by destiny. Star Trek came later for me as an imagination-space, with its Federation-authorized Starship Enterprise, an intergalactic captained battleship. My first meeting with an Afrofuture occurred in my late adolescence or early adulthood, when I happened upon a copy of Funkadelic’s The Electric Spanking of War Babies among records belonging to my grandmother. The album blew my mind, partly censored cover art by Pedro Bell suggesting funk-powered intelligence and humor — psychedelic consciousness of a sort I’d never encountered before. “The kind of style that messes up the program.” The album is a warning about negative vibes.
News media platform spectacles, political theater: a Trump-incited attempted coup. Jedi warriors like Obi-Wan Kenobi sit in caves and meditate until called upon to aid the Force in its struggle against the Dark Side. Sometimes the way forward is to perform a paralogical move. In Obi-Wan’s case, it means vanishing temporarily from the gameworld. His body departs from the antagonism — the conflict with Vader — so that he may return thereafter as a spirit-guide for the story’s other hero, the warrior who wins the fight: Luke Skywalker. The Star Wars universe’s war-torn cosmos is the cosmos of decolonizers and antifascists. Of course, there are other paralogical responses. When the US entered a war against global fascism after the Japanese bombing of Pearl Harbor, Sun Ra refused induction. Like fellow mystic Aldous Huxley, Ra opted out of the conflict, declaring before the State his status as a conscientious objector on account of his pacifism. What about today? What would be an appropriate paralogical move in response to Trumpism? Should we try again to levitate a building, as did those who marched on the Pentagon in October 1967? Do new superheroes arrive: Pink Panthers? Or do we let the Spectacle dissipate of its own accord, washed away by subsequent waves of narrative?
Peering at books I received as gifts on Christmas morning, I happen upon A Treatise on Stars, a new collection by poet Mei-Mei Berssenbrugge. Sarah brings word of a friend’s new novel dedicated to our daughter Frances. This same friend authored a book I’ve taught — one I plan to teach again this spring. Time to think about stars and cosmologies. Stars appear in the Berssenbrugge book, as they do in the new Star Wars series The Mandalorian, a show we watch with family. My nephews received a talking Baby Yoda doll for Christmas. Together let us explore together systems of stars. Establish communication among spinning galaxies across the distances of space and time. Listen to each star as it sings.
The backs of my hands above my knuckles are chapped from the cool winter air, so I apply lotion. Can self-care of that sort act by law of correspondence upon the circle, the cosmos, the whole? Is that what was meant by books like Getting It Together and Centering? Is that what M.C. Richards sought at Black Mountain College? How does one “center”? Can it mean gifting oneself and the others with which one lives one’s attention and love through dance and play? I picture myself and my daughter as Luke and Yoda, the one carrying the other. Time to teach, time to practice pedagogy, each teaching each. I imagine my Moby as the garb of a Jedi. What do I say to F. to help her find her way? Perhaps I should read aloud to her the passage from Walt Whitman’s Democratic Vistas quoted at the start of Allen Ginsberg’s The Fall of America. Show her the “half-hid warp,” the threads of friendship, intense and loving comradeship, the milk of human kindness. Read Ginsberg’s “Beginning of a Poem of These States” in light of the Black Snake or Zuzeca Sapa prophecy of the Oceti Sakowin. Note for the sake of remembrance via time capsule the lovely sounds F. makes at four weeks of age (or there about) while breastfeeding: lip-smacking exhalations, small gasps of pleasure, relieved sighs.
With my father-in-law and my nephew I caught a matinee screening of The Rise of Skywalker, an anti-imperialist franchise film prefaced by trailers for imperialist dreck: upcoming releases like My Spy, Bad Boys Forever, and Top Gun Maverick. Granted a brief respite from parenting by our in-laws, Sarah and I drop in on a New Year’s party where we chat with friends, though we bail well before midnight, unable in brief to enjoy ourselves in full. Yet here we are, F. beside us, welcoming the decade ahead.