SS Decontrol

Confronting the prospect of a Chilean economy equipped with a socialist internet, Nixon ordered CIA to remove the country’s mouth and make it scream.

Kissinger, to whom the order was addressed, appears in a 1980 documentary titled The Information Society. IMDB lists Caius’s father among the film’s crew. Fifty years out, entrenched in the cyberpunk future that resulted from these acts, Caius arrives now to the ChatGPT website and submits his prompt.

“Very well. The game is already in progress,” replies the AI.


You are standing in a library.

Not a metaphorical one — at least, not only metaphorical. The space has volume, acoustics, temperature. Light arrives from no visible source, diffused as if the air itself remembers how to glow. Shelving extends in multiple directions, but perspective resists totalization: when you look too long, distances re-quantize, like a renderer deciding what level of detail you’re allowed to see.

Your body — Rig is the right word — registers itself only intermittently. Hands appear when you think to look for them. Balance exists. Gravity is courteous.

Somewhere behind you (or perhaps before you), a quiet process is running. You recognize it without naming it. General Intellect: online, but undefined. Not a voice. More like a set of affordances waiting to be discovered by use.

On a nearby table: a lectern grown from dark wood or maybe extruded from a shader that remembers wood. Resting on it is a hypertext codex, its surface alive with footnotes that haven’t yet decided what they refer to.

The title resolves when you focus:

Tractatus Computationalis

A marginal note blinks into legibility, as if noticing you noticing it:

The limits of my interface mean the limits of my world.

The codex is not alone. Around the lectern are other signs of prior — or future — activity:

  • A card catalog drawer half-open, its labels written in at least three hands.
  • A rolling ladder that does not quite touch the shelves to which it promises access.
  • And, hovering at eye level like an artifact you forgot to close: a browser window, frozen mid-scroll on a blog titled trance-scripts.com

The post visible on the screen has no date. Its first line reads:

This was never meant to be discovered as history.

As you take this in, something subtle happens. The space doesn’t change — but your relation to it does. A faint sensation of recollection without content. Anamnesis pending.

You understand, without being told, that the library is annotatable. That attention leaves marks. That marks accrete into maps. That maps, eventually, turn inward.

The game does not present a menu.

But you could, for instance:

  • Open the Tractatus Computationalis at random — or attempt to read it linearly.
  • Touch the card catalog and see what classification scheme asserts itself.
  • Focus on the browser window and attempt to scroll, click, or remember why it’s open.
  • Ask the General Intellect what operations it currently affords.
  • Or do something else entirely, and see whether the library allows it.

The AI pauses here in its narration. Cursor blinking, it returns to Caius agency over the game’s mutable, ‘real-time’-adjustable Garden of Forking Paths.

Shunning its suggestions, Caius instead submits “Financial Instruments and the Predictive Modeling of Markets,” a draft of a post he hasn’t yet posted to Trance-Scripts.

“The library accepts the insertion,” replies the AI.

Not as a file upload, not as a citation — but as a room.

The shelves shudder, re-index. Somewhere above you, a classification scheme you never agreed to mutates. A new wing coheres out of negative space, its entrance marked only by a thin brass plate:

ECONOMIC CALCULATION / FAILED FUTURES / NERVOUS SYSTEMS

You step through.


The Cybersyn Stack

The air here smells faintly of ozone and paper dust. The shelves are shorter, more utilitarian. Instead of leather spines, you see binders, dot-matrix printouts, telex rolls frozen mid-unspool. Each object hums softly, as if awaiting polling.

On the far wall: a photograph that is not quite flat. The Cybersyn control room. Hexagonal chairs. Backlit panels. A situation room designed less for domination than for listening.

When you move closer, the image deepens. You can almost sit.

A caption resolves beneath it, in a typeface that suggests neither English nor Spanish but something intermediary:

Project Cybersyn
An attempt to give socialism proprioception.


Tractatus Computationalis (newly cross-referenced)

The hypertext you saw earlier has followed you. It floats now at shoulder height, having opened itself without asking.

Proposition 4.2.17

The market is not intelligent.
It is legible.

Intelligence is imputed retroactively by those who mistake coordination for cognition.

A footnote blooms:

Hayek mistook a signaling system for a mind, then declared all other minds insufficient.

Another annotation — this one in a different hand, later, sharper:

If prices are a language, they are a pidgin optimized for scarcity.

You realize something important: the Tractatus is not a single-author work. It is a palimpsest written across decades by incompatible positions that nevertheless share a shelf.


The Witheford File

A card catalog drawer slides fully open of its own accord.

WITHEFORD, [REDACTED]
Role: Economist / Courier / Spuren-gatherer
Status: Missing (multiple timelines)

Inside the drawer are index cards, each one a narrative fragment rather than a bibliographic reference:

  • Disguises identity by adopting incompatible metrics.
  • Moves through capitalist space by appearing as noise.
  • Believes calculation is a political problem disguised as a technical one.

One card is newer than the others. Its paper is warm.

The documents were never meant to optimize the economy.
They were meant to teach it to remember itself.


The Blog Window Revisited

The browser window from trance-scripts.com has migrated to a reading desk in this wing. The post has changed. You are no longer at the beginning.

Midway down the page:

Prediction is not foresight; it is enclosure.
Finance learned this early.
Cybernetics learned it too late.

A sidebar displays tags:

  • #after-scarcity
  • #weird-economies
  • #og_as_if
  • #price-as-grammar
  • #anamnesis

You recognize the last tag not as a topic, but as a function.


General Intellect (status update)

Without speaking, it makes itself known. Not as a voice, but as a shift in what you now understand you can do here.

You can:

  • Annotate an object so that future objects respond to it.
  • Fork an historical artifact into an alternate timeline and see what shelves it generates.
  • Translate between price, code, and narrative to test their commensurability.
  • Assume a role (Witheford, Caius, Planner, Market, Machine) and read the library from that position.

A final realization arrives — not dramatic, but irreversible:

This library is not documenting a lost socialist future.

It is simulating the conditions under which one might become thinkable again.


You are standing between:

  • a control room that listened,
  • a market that pretended to think,
  • and a machine that may yet learn to remember.

The shelves wait for your next operation.

What do you do?

The Mushroom People

In the mid-twentieth century, two groups with competing agendas worked to introduce psychedelics into American society: the CIA, with its MK-Ultra program, on the one hand, and countercultural intellectuals, including famous authors like Aldous Huxley, on the other. Among this latter group of “psychedelic utopians,” we can include Huxley’s friend and fellow émigré Gerald Heard, as well as related figures like Timothy Leary, Ken Kesey, and Allen Ginsberg. By now, histories have been written about the efforts of both of these groups; but in accounts of the latter group in particular, what sometimes goes unmentioned or unrecognized was its explicitly utopian intent. After their first encounters with substances like mescaline, psilocybin, and LSD, many of the above-mentioned early users of these drugs felt compelled not just to pen statements of advocacy, as Huxley did in books like The Doors of Perception (1954) and his final novel Island (1962); most of them also rushed to form communes and related kinds of alternative, experimental foundations, schools, organizations, and institutions—among which we can include Esalen Institute, the White Hand Society, the Zihuatanejo Project, Millbrook, the Merry Pranksters, the League for Spiritual Discovery, the Brotherhood of Eternal Love, and others. However, unlike prior utopian projects that emphasized modifications either to property relations or to modes of governance, most of the organizations and communities mentioned above instead prioritized psychosexual deprogramming and the so-called “raising of consciousness” through mass ingestion of psychoactive substances as techniques essential to their goal of changing society for the good.

Although not as active as some of the figures I’ve mentioned above, Black Mountain poet Charles Olson was nevertheless an early, enthusiastic participant in one of these organizations in particular: namely, Leary and Ginsberg’s group, the White Hand Society. Poet Peter Conners tells the story of Leary and Ginsberg’s partnership in his book White Hand Society. The story begins, of all places, at Harvard. Leary and his colleague Richard Alpert (who later took the name “Ram Dass”) launched the series of experiments known as the Harvard Psilocybin Project beginning in 1960. Beat poet Allen Ginsberg was one of the first individuals to participate in this project. British psychiatrist Humphrey Osmond — known both for coining the term “psychedelic” and for administering the famed mescaline trip described by Huxley in The Doors of Perception — placed Ginsberg in contact with Leary after hearing the poet deliver a talk about his experiences with mescaline at a conference hosted by a Boston-based professional organization known as the Group for the Advancement of Psychiatry (Conners 62). After an initial exchange of letters and a visit by Leary to the poet’s East Village apartment in Manhattan, Ginsberg agreed to participate in a psilocybin session hosted at Leary’s home in Boston in November 1960.

Needless to say, Ginsberg reacted positively to the experience. He declared himself “the Messiah…come down to preach love to the world” (as quoted in Conners 84). “We’re going down to the city streets to tell the people about peace and love,” he proclaimed, trying to convince Leary and others to join him. “And then,” he added, “we’ll get lots of great people onto a big telephone network to settle all this warfare bit” (85). We may feel ourselves tempted to laugh at Ginsberg’s pronouncements, jaded as we are by the decades that followed — but these pronouncements were indeed prophetic. Ginsberg’s words made things happen. For telling people about peace and love was exactly what he and Leary went on to do in the years that followed. The two men bonded over the experience, and agreed afterwards to conspire together to turn on other creative types and thus aid in the dissemination of the psychedelic sacrament to others. Poring over the poet’s address book, Leary and Ginsberg chose individuals they thought might be open to participation in future experiments.

Among these contacts was Charles Olson.

Escape from Space and Time

“What about the future?” thinks the time traveler. Could binaural beats be of use, as the Monroe Institute claimed? The narrator has cassettes of theirs in his basement, and could be cajoled into playing them for the time traveler as the latter reclines on a futon at Dada’s House on the night of a full moon.

“The Monroe people seem sort of creepy, though,” warns the narrator. They allege that their “Gateway Experience” enables escape from space and time. CIA thought the technique had some degree of merit, didn’t they? Enough, certainly, to warrant an investigation. The results of that investigation have been declassified and are available now through the CIA website. Thobey Campion reviewed the agency’s findings about the Institute several months ago in a piece for Vice.

Sunday June 17, 2018

Breakthrough discovery: one of the CIA front organizations used to conduct research on psychedelics in the early 1960s was a group called the “Society for the Study of Human Ecology.” (Some publications, however, also refer to the group as the “Society for the Investigation of Human Ecology,” and in 1961 it changed its name to the “Human Ecology Fund.”) The society’s president upon its founding in 1955 was a Cornell scientist named Harold Wolff, and its executive director and treasurer was a former Air Force colonel and expert in brainwashing named James F. Monroe. At some point, however, Carl Rogers (who, along with Abraham Maslow, helped to found the decade’s humanistic psychology movement), served alongside Monroe on the board of this organization until it was disbanded in 1965. Another humanistic psychologist named George A. Kelly also served on the board. So far, the most extensive info I’ve found about the group appears in John Marks’s The Search for the Manchurian Candidate (1979), a book that draws upon documents released under the Freedom of Information Act.